Searching The History of Art
You may select a new search term and repeat your search.
Searches are not case sensitive, and you can use
in your queries.
Query was: create
Here are the matching lines in their respective documents.
Select one of the highlighted words in the matching lines below
to jump to that point in the document.
- Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
- succeeding centuries they lost the power to create true plastic
- created, of course, by human imagination, in the effort to
- that had been created by those whom we include under Cimabue's
- Spirit. The works created by this age were based, indeed, on the
- Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
- spiritual life of their time and created out of this. In saying this,
- figure the Greek artist created. In course of time this faculty was
- were certainly created out of the very deepest impulse of his own being.
- he creates out of a single impulse, and for this reason the chronological
- feeling into the works he created; Michelangelo carried a Florentine
- so many absurdities at this point. A man can only create as Michelangelo
- created if he believes in these things and lives in their midst. It
- the commercial character. True, he was destined still to create the
- They wanted to change and recreate Catholicism by continuous progress
- With a Catholicism morally recreated and renewed, they hoped to permeate
- drawings, which reveal how he creates his forms out of that keen
- an artist who can create such a work as the Mona Lisa has any need of
- inner connection in the artist's soul. If he desires to create a work
- Supper — which he created, it is true, at an earlier time, and
- it is created under the feeling of his coming to Rome. A more or less
- the World. It was that Jehovah created, in a sense, as the successor
- Michelangelo to Rome, where he creates, once more by comman of the Pope,
- it belongs to a somewhat earlier period, we give what Michelangelo created
- True, he could not have created it thus at every phase of his life.
- Michelangelo has to create out of the individual, nay, we may even say,
- Maximum number of matches per file exceeded.
- Title: History of Art: Lecture III: Dürer and Holbein
- exquisitely printed miniatures, in the biblical works created in
- to him to make these studied forms his min, so as to re-create the
- human figure, as it were, after the pattern first created by God.
- always creates out of the element of movement, whereto his oun
- lower figures, see how the forms are created out of movement and
- contrasted with the other, the Southern composition created almost
- "Faust" is consciously created, comes to expression in this picture
- created a work of immense educational value. You cannot do better
- especial sense. Even where he creates a composition, he carries his
- Title: History of Art: Lecture IV: Mid-European and Southern Art
- created directly out of the inner life of the soul.
- who created out of al altogether different mood of soul, something
- highly individual figures were created was also especially great in
- works were created about 1490–1495.
- — created in the early 16th century — is now in the
- Title: History of Art: Lecture V: Rembrandt
- creating. He created his great works by using his figures, as it were, to
- period of his work how really the colors in his pictures are created
- of things. What he created to begin with is great in its way, yet it
- so often told you, created more out of an inner feeling of himself —
- Rembrandt — creates from outward, contemplative vision. But this
- in this isolation he creates out of the very fountain-head, out of the
- well-spring of Mid-European spiritual life. For Rembrandt creates out
- of the spirit which is characteristic of Mid-Europe. To create, to look
- Title: History of Art: Lecture VI: Dutch and Flemish Painting
- and out of the whole milieu out of which he created.
- Title: History of Art: Lecture VIII: Raphael and the Northern Artists
- being that worked to create it — the human being, Raphael himself.
- characterised. For Raphael to create in this way — for his pictures
- in regular cyclic periods. At the age of twenty-one he creates the
- It was out of this mood and feeling that Holbein himself created his
- too, did not create naively, but, as I said before, out of a far-reaching
- He creates out of the elemental forces of heart and mind, but his figures
- of Art must all be brought together. To create out of the inner light
- at the same time be to create out of the inner source of being, and
- spiritual Imagination and artistic fancy join together and create a
- already marred by Rome; they tried to recreate Christianity themselves
- Title: History of Art: Lecture IX:
- preserved for us. The Greek artist created from an altogether different
- he imparted to the physical material, he strove to create, as it were,
- artists of the Golden Age of Grecian Art; they, indeed, created the
- what the plastic artist has created is there before our eyes. Therefore,
- tried to create once more in the spirit of the Greeks — out of his
- his naturalistic vision — to create human figures strong and firm,
- created — especially in his early period — remembered Donatello
Rudolf Steiner Archive is maintained by: