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- Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
- artistic ideal. Rather was it a question of calling forth those
- deal with the life of St. Francis, for there is a deep inner
- all the greater emphasis inasmuch as his pictures deal with the
- Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
- character which the artist dealt with at his pleasure, treating it like
- eyes of man as a sublime ideal, but that can never be attained by man
- His highest ideal, none the less, was that which he desired to bring
- regret the loss of time, for you will learn a great deal even for your
- Title: History of Art: Lecture III: Dürer and Holbein
- all the elements that culminate in him, we have to deal with a
- Title: History of Art: Lecture IV: Mid-European and Southern Art
- are now dealing. The worldly and the religious were brought
- The art of characterisation has, indeed, attained its ideal to a
- Title: History of Art: Lecture VI: Dutch and Flemish Painting
- forth as described when dealing with Rembrandt, for example. Something
- Title: History of Art: Lecture VII: Representations of the Nativity
- to some extent, will go together. The next series of pictures will deal
- you still find a stronger adherence to ideal types, while here there
- Title: History of Art: Lecture VIII: Raphael and the Northern Artists
- respect to certain artistic intentions — the highest ideal has
- ideal, and we have few words at our disposal, few concepts and ideas,
- like a great canvas, like an ideal painting of the world. It works from
- Title: History of Art: Lecture IX:
- as working towards the ideal, to “monkeyfy” the human race.
- developed, who is the underlying ideal of the extremer movements in
- such a way that the outer form was the human form idealised. The point
- was by no means merely to idealise the Human — that is only the
- the idealised human form they were able to express what lives and weaves
- accord with what was evolved in this ideal age.
- Truly an ideal conception
- again to the best, ideal tradition of the older times; it reminds us
- strive away from the ideal type, towards the quality of portraiture.
- between Donatello and Brunelleschi with his high idealism — immersed
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