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- Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
- eye, for instance, is drawn so that you can clearly see: It is
- found Giotto as a shepherd-lad who used to draw on rocks and
- even in the way the lines are drawn, the immense difference
- expression. Down to the very drawing of the lines you can see
- soul even in the drawing of the lines.
- drawing, in his composition and in his power of expression.
- have selected some sketches and drawings by Leonardo, from which
- as a whole, and bring him forth to perfection in his drawing. He
- Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
- drawings, which reveal how he creates his forms out of that keen
- often drawn attention to this fact. Think of the inherently natural
- detailed drawing. Still we may recognise in this an independent artistic
- Title: History of Art: Lecture III: Dürer and Holbein
- Dürer's way, with his wonderful drawing. Study it carefully,
- and you will see how everywhere, even in his drawing, he is aiming
- (undoubtedly a later picture), Raphael had Dürer's drawings
- expresses this in a wellnigh extreme way; he seeks to draw it forth
- Title: History of Art: Lecture IV: Mid-European and Southern Art
- Today I wish to draw
- into the churches, or in the public squares, drawn thither by their
- Title: History of Art: Lecture V: Rembrandt
- of the Cosmic Order, to draw from thence something which could give
- an individuality who had drawn from the very depths of elemental human
- Mid-European life — out of a source of life which he draws from the
- Title: History of Art: Lecture VI: Dutch and Flemish Painting
- of drawing and painting, we find that the laws of Space, for example, have
- it, who draw near to it from all their different spheres of life —
- the Knights as they draw near to the Lamb. All these are portions of
- Title: History of Art: Lecture VII: Representations of the Nativity
- principles, but draw your attention to some other points of view which
- of the Cosmos — the Wise Men draw near to the Christ Who
- enough to put up here a drawing of the Three Wise Men. The picture is
- shall liberate the Earth draws near.
- as it were — what was drawing near.
- Title: History of Art: Lecture VIII: Raphael and the Northern Artists
- that came before our souls in former lectures. I shall draw attention
- artist as Raphael, as the artist of an epoch that was drawing to it
- close: the Fourth Post Atlantean epoch. Such epochs, when they draw
- so magnificent that it draws the subject-matter into its own sphere.
- characteristic examples of Dürer's drawings — etchings and
- of the Spiritual Soul were drawing near. The evolution of the Spiritual
- of Death as it draws near to men under the inexorable laws of Fate —
- draws near to man of whatsoever rank or class. The “Dance of Death,”
- Death draws near to human life.
- Death draws near to the
- of lineal perspective — laws of perspective drawing. We extend
- Title: History of Art: Lecture IX:
- drawings made by the Frenchman, Carrey, in the 17th century. Subsequently
- 11a. Drawings of the eastern pediment.
- 11f. Drawings of the western pediment.
- 12a. Drawings of the Friezes.
- passing into death. It is the quick withdrawal of the etheric body through
- coiling around. This effect of the etheric body withdrawing from the
- is drawing away.
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