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Searching The History of Art

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    Query was: epoch

Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

  • Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
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    • the outward course of history reveals in any epoch
    • this epoch, when Christianity was slowly finding its way into all
    • in the flower of an artistic epoch containing all the works which
    • epoch the sacred legend merely provided a foundation for the
    • classical epoch. I beg you to observe this picture by Perugino,
    • this epoch, attained by Michelangelo and Raphael. In all the
    • shall have gained a conception, how the great epoch of the
  • Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
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    • in former epochs — epochs when the artistic understanding was
    • Speaking of former epochs,
    • and especially of the epoch to which we are now referring, we may truly
    • Science into former epochs. Hence the usual histories of Art contain
  • Title: History of Art: Lecture III: Dürer and Holbein
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    • but especially in the whole forming of the hands. That epoch, more
  • Title: History of Art: Lecture IV: Mid-European and Southern Art
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    • for the understanding of whole epochs of History. However we may
    • epoch — (albeit the Fifth epoch already shone into the
    • in Mid-Europe and the North the Fifth Post-Atlantean epoch was
    • Post-Atlantean epoch, including the latest flower (in the Italian
    • Post-Atlantean Epochs. And the more should we realise how
  • Title: History of Art: Lecture V: Rembrandt
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    • beginning of the Fifth post-Atlantean epoch in the fullest sense of the
    • word. For as you know, we describe the basic character of this epoch when
    • epoch of development of the conscious Spiritual Soul that man should turn
    • it is not without importance that we should turn our gaze to an epoch
  • Title: History of Art: Lecture VI: Dutch and Flemish Painting
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    • fifth post-Atlantean epoch — that epoch which is called upon to
    • post-Atlantean epochs. It is interesting to see how gradually there
    • emerges — century after century during these epochs — what
    • was still suited to the stage of the Fourth Post-Atlantean epoch, when
    • man of the fifth Post-Atlantean epoch cannot forget himself; he demands
    • the perspective of the fifth post-Atlantean epoch.
    • epoch, found its essential fountain-head in these regions. These painters
    • indeed, bear within him all the peculiar characteristics of this epoch.
  • Title: History of Art: Lecture VIII: Raphael and the Northern Artists
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    • artist as Raphael, as the artist of an epoch that was drawing to it
    • close: the Fourth Post Atlantean epoch. Such epochs, when they draw
    • at the close of a great epoch, during which pupils were learning from
    • post-Atlantean epoch and all that is connected with it, finds expression
    • of one epoch and another, many things are perceptible in the life of
    • of epochs, characteristic phenomena emerge, in the most varied spheres
    • same time many things emerged out of the former epoch, reaching over
    • the fourth epoch were reaching over into the Fifth. There were the excesses
  • Title: History of Art: Lecture IX:
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    • To the same epoch belongs
    • the Grecian Art the process nowhere went as far as in the later epochs.
    • epochs, one after the other, in this way.
    • which had to come in the 5th Post-Atlantean epoch — the element of

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