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Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

  • Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
    Matching lines:
    • beautiful fact that is related of the life of St. Francis. He had
    • fact that the last verse wherein he addresses Brother Death was
    • fact that while he had sung the Hymn of Praise to all other
    • represent the sacred fact. The sacred legend lives on; and, being
  • Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
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    • nevertheless, the legends themselves were founded upon fact, and there
    • All this is founded upon fact. And when he had to paint a Medusa he
    • In spite of the fact that he grew out of the Italian environment, he
    • mentioned the fact that he witnessed, too, the great change which came
    • often drawn attention to this fact. Think of the inherently natural
    • the influence of Signorelli and others, still, in fact, a pupil.
    • for the monument of Pope Julius; for, in fact, this was never finished,
    • fast to one point, which is revealed by the fact that some elements
    • the secret of the Trinity. This fact explains what I may call, perhaps,
    • historic factors which influenced and entered into them. You will perceive
    • anyone who has vision for the facts of history in all its domains, and
  • Title: History of Art: Lecture III: Dürer and Holbein
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    • the fact has scarcely been observed as yet, color arises very
  • Title: History of Art: Lecture IV: Mid-European and Southern Art
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    • Dürer and others. It will be a satisfaction to me if we can
    • bear in mind how much in the Southern Art is due to the fact that
    • with the fact that the people run gladly together, crowd gladly
    • the fact that what He had given to the Earth in His Son gives, at
  • Title: History of Art: Lecture V: Rembrandt
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    • or later we must realise the fact that just as one plant in the garden,
    • them inner fullness and satisfaction. The anonymous writer was everywhere
    • Masters of painting lay in the fact that they raised the individual
    • of human egoism. The very fact that he confronts the world, and even
    • we are pointing to no matter of chance when we recall the fact that
    • and significant meaning in the fact that he had to seek again and again
    • deeper meaning in the fact that the first great painter of the Fifth
  • Title: History of Art: Lecture VI: Dutch and Flemish Painting
    Matching lines:
    • the very fact that each individual being has his full importance, and
  • Title: History of Art: Lecture VII: Representations of the Nativity
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    • first undertaken by the Three Wise Men. This bears witness to the fact
    • facts — you could see this from the instance which we spoke of
  • Title: History of Art: Lecture VIII: Raphael and the Northern Artists
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    • factors stood at a characteristic moment. We can make very interesting
    • flowing together of two factors. The one represented by all that was
    • the one factor. The other was what I would call the elemental originality
    • a picture must somewhat express the fact that one figure is standing
    • There are countless faults of the same kind. It is all clue to the fact
    • disregard of some of the simplest natural facts. The tiled roof and
    • path. There can, however, be no doubt that this fact is connected with
    • more in the fact that Hegel's philosophy received its quickening from
    • with the fact that the originally Prussian districts remained Heathen
  • Title: History of Art: Lecture IX:
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    • from the real monkey will lie in the fact that the latter is a vegetarian,



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