Searching The History of Art
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- Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
- forces in the human soul — those powers of imagination,
- not copied, but done by following with inner feeling the forces
- overwhelming force pouring in from distant worlds into mankind.
- out as a spiritual force over the whole. Here, for the most part,
- abstract spiritual force. All this is expressed in the figures of
- force, passing through man by varied ways and channels, seeking
- Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
- the human figure from within — from a perception of the forces
- that were at work within himself, the forces which we today describe
- from within outward the forces that are at work in man, he tried to
- forces of the human organism might become his own inner experience.
- creation of Nature's forces. For Leonardo was truly a man who sought
- the forces of Nature as they play their part in human life. He was no
- bore the whole forces of his time within him (and for this very reason
- because he understood it in its depths, in the forces that only found
- Title: History of Art: Lecture III: Dürer and Holbein
- the midst of real and concrete forces. Real light, real darkness,
- inherent force of composition that lies in the interplay of light
- especially adraire in this picture the bringing out of the force of
- Title: History of Art: Lecture V: Rembrandt
- Human souls no longer had the force to penetrate to the heart and center
- his life, because of the elemental forces working in him so strongly,
- us aware of the immediate individual presence of a strong and forceful,
- Title: History of Art: Lecture VI: Dutch and Flemish Painting
- by force; the Lamb gives His Blood of His own free will.
- Title: History of Art: Lecture VIII: Raphael and the Northern Artists
- from the soul with elemental force. Raphael paints with the ever-present
- stream of evolution which tries to take shape out of the elemental forces
- He creates out of the elemental forces of heart and mind, but his figures
- strongly the forces must have worked, overcoming the artistic traditions
- Title: History of Art: Lecture IX:
- in its living forces and mobility underlies the forms and movements
- the living forces that abound in the Etheric Body come to expression.
- also largely among the forces of hindrance in modern civilisation. I can
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