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  • Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
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    • We will now give
    • out into the world, where everything was conceived out of a given
    • when the composition was no longer given as a matter of course
    • we see how the longing to give voice to the great cosmic process
    • World itself will give what he desires. Nature herself is
  • Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
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    • if he seeks once more to give Art its place in the spiritual life as
    • lost. European humanity, in a certain sense, no longer cares how a given
    • it was no longer given to him, as to the men of former ages, to trace
    • layer. Indeed, in many respects he rather gives us the impression of
    • spirits, none the less, who were decidedly agreed to give a new form
    • Let us now give ourselves up
    • lectures given at Leipzig, on “Christ and the Spiritual World,”
    • it belongs to a somewhat earlier period, we give what Michelangelo created
    • when that was. Probability is that he did not simply go there in a given
    • has grown older than that which Raphael could give to it.
  • Title: History of Art: Lecture III: Dürer and Holbein
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    • Europe at that time, give us a feeling of something absolutely
    • coming to him from the South, gives himself up to magic. But in
    • was formerly given to a more occult sensitiveness, as I explained
    • will now give some examples of the School of Cologne. The Cologne
  • Title: History of Art: Lecture IV: Mid-European and Southern Art
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    • pressed; nevertheless, in such a statement guiding lines are given
    • the fact that what He had given to the Earth in His Son gives, at
    • — (or shall we say, in order not to give offence, so free
    • complete in itself, we will give a series of pictures from the
    • their churches. We will give two examples from the Frauenkirche in
    • Finally, we give two
  • Title: History of Art: Lecture V: Rembrandt
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    • such as Rembrandt, it is more important to give ourselves up to the
    • of the Cosmic Order, to draw from thence something which could give
    • catch the light. The figures give him the opportunity to seize the light.
    • man himself, as an outer object, gives him the possibility of seeing
    • I hope it will be given
  • Title: History of Art: Lecture VI: Dutch and Flemish Painting
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    • foreground, they are made smaller. This gives you the transition to a
    • Southern aristocratic element. The life of the burghers gives birth
    • and rebellious Bull has to be fought down — gives up his blood
    • by force; the Lamb gives His Blood of His own free will.
    • chief concern is not with the composition, but to give an impression
    • We now give two examples
  • Title: History of Art: Lecture VII: Representations of the Nativity
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    • You will feel the connection of it with what is given in the old Christmas
    • We shall now give a series
    • Finally we give two works
  • Title: History of Art: Lecture VIII: Raphael and the Northern Artists
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    • today will enable us to give a kind of recapitulation of various things
    • century. True, the pictures of the period, which we shall show, give
  • Title: History of Art: Lecture IX:
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    • which the living starting-point is given in Goethe's
    • give a pleasant name. I refer to what are now called sports and games,
    • afield if I were to give you even an outline sketch of the real history,
    • We will now give a few
    • that was typical of Greek Art was already given. The stamp, the signature,
    • as it were, was now given to the bodily figure, as it should be represented
    • Eastern door was also given to him to do. It represents scenes from the
    • true; it gives us a right impression of the relation between the two



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