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- Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
- in every single head of these disciples grouped around the
- portrait with the head we saw before, by Ghirlandajo. In that
- 63. Leonardo da Vinci: Heads of Apostles. (Weimar.)
- These are the heads
- "https://www.rsarchive.org/Lectures/GA292/English/UNK1981/images/HA01-064_Heads.jpg" align=
- 64a. Leonardo da Vinci: Heads of Apostles. (Weimar.)
- composed; but though he is composed of head and arms and legs and
- — of arms and legs, of head and trunk — as a natural
- Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
- His soul had most decidedly a Janus head. By his education, by the habits
- 17. Head of Christ. (Study for the Last Supper.) (Brera. Milan)
- at the Head of Christ. These reproductions are familiar.
- with an individual and human feeling. Hermann Grimm drew the head of
- to the head of the Apollo of Belvedere. We will now show some of the
- 65. Head of Christ. (Detail from the Last Judgment. Sistine Chapel.)
- 66. Head of Apollo Belvedere. (Rome, Vatican Greek sculpture))
- Title: History of Art: Lecture III: Dürer and Holbein
- Art is able to express. Man walks along, man turns his head. With
- every step, with every turning of the head, new impulses of light
- your minds not only the head with its peculiar expression, but the
- 37. Lucas Cranach. Judith with the Head of
- the heads of the characters are surch as the artist saw around him
- 44. Dürer. Heads of St. John and St. Peter.
- 45. Dürer. Heads of St. Paul and St. Mark.
- his ‘Heads of Apostles.’
- 62. "Heads of the Apostles."
- Title: History of Art: Lecture IV: Mid-European and Southern Art
- Passion, and notably in the head of Christ Himself as conceived by
- 2. Head of Mary. (Detail of the above.)
- this Head of Christ would be an important station. Also the Head of
- Christ in the Cathedral of Amiens, and afterwards, the Head of
- Head of Christ by Albrecht Dürer.
- 14. Head of “the Church.” (Detail of
- 16. Head of the “Synagogue.” (Detail
- well. The head, which we will now show in detail, is most
- 19. Head of King Stephen. (Detail of above.)
- 43. Head of Adam. (Detail of above. Wurzburg.)
- 45. Head of Eve. Til Riemenschneider. (Detail of
- single head alone:
- 53. Hans Baldung. Head of an Old Man. (Berlin
- Title: History of Art: Lecture V: Rembrandt
- in this isolation he creates out of the very fountain-head, out of the
- man here, of whom only half the head is visible, made a great fuss.
- Title: History of Art: Lecture VI: Dutch and Flemish Painting
- epoch, found its essential fountain-head in these regions. These painters
- Title: History of Art: Lecture VIII: Raphael and the Northern Artists
- the Seven-headed Dragon (1498.)
- respects the source and fountainhead of German Art. They could not work
- of the Head of Christ, which was elaborated by and by in the course
- of time, had already reached. Compare this Head of Christ with the one
- Title: History of Art: Lecture IX:
- many of the activities that fall under the heading of sport —
- 5. Head of a youth.
- 10. Head of Athena
- next, the head of Zeus, which is to be seen in Rome:
- In this head of Zeus you
- 32. Medusa Head. (Glyptothek. Munich.)
- 79. Verrocchio. Head and Shoulders. (Detail of the above.)
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