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- Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
- Christ is for poor simple men. Out of the very heart of a
- entered lovingly not only into the human heart but into all
- bringing forth out of his heart his inner connection with the
- more by the Spirit. In Fra Angelico we see the Heart, the soul
- Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
- must imagine Michelangelo as a man who in his inmost heart and mind
- into Rome; it flows from his creations into our hearts and minds if
- Title: History of Art: Lecture III: Dürer and Holbein
- Title: History of Art: Lecture IV: Mid-European and Southern Art
- especially the tragic elements of Christianity, to human heart and
- own in heart and soul.
- heart must first be conquered for it, he must in some way be
- human emotions with his paintings, the human hearts of those who
- worked with the heart and mind of the people. And without a doubt,
- permeate it with the human heart and feeling, — to permeate
- death of our dear friend, Fraulein Stinde, and in our hearts we
- our hearts which are directed to her.
- Title: History of Art: Lecture V: Rembrandt
- be. He had at any rate succeeded in writing out of the hearts of very
- Human souls no longer had the force to penetrate to the heart and center
- heart of things — even in the phenomena of the great world. He
- Title: History of Art: Lecture VII: Representations of the Nativity
- heart, of inner feeling; while the understanding which we must bring
- Title: History of Art: Lecture VIII: Raphael and the Northern Artists
- of heart and mind of the human beings themselves who in these regions
- of the human heart, to discover for itself the laws of artistic creation.
- He creates out of the elemental forces of heart and mind, but his figures
- the German heart and mind. The absorption of Christianity was a far
- artistically out of their inner heart and feeling.
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