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- Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
- and interest was directed to the question: How did the higher
- transposed into higher realms. We can see quite clearly how, as
- materialism? Considering the matter from a somewhat higher point
- radiated in an earlier art from the higher realms on to the
- upward from a world below to a middle and thence to a higher
- higher life — to connect it with a higher life, only now in
- the three tiers, rising systematically into higher worlds from
- us again in a more highly evolved, more perfect form, in
- are highly individualised figures — men who desire power
- his life — has reached a high level of perfection.
- Nature, brought to a high level of expression. Here in this other
- high degree, the Leonardo da Vinci, there is a working-together
- seeks to enhance his power of expression to the highest point by
- Iscariot, and when the Abbot, high dignitary that he was, kept
- leads on to a higher stage of realism. Side by side with it we
- in which direction Raphael achieved the highest eminence. Lastly,
- Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
- notion of High Mass. Of course, he cannot do so in reality. Or they
- may not have been high, but in which there were free and independent
- with high ethical principles what had reached so great a height in Art.
- times from higher vision and had grown a mere tradition. It was
- His highest ideal, none the less, was that which he desired to bring
- high places. And yet they were of such a character as to take with them
- into these high places the worst extremes which even that age could
- to a high degree; nor did he ever bind or fetter them, so long as they
- and high-mindedness, human tyranny and striving towards freedom. If
- Title: History of Art: Lecture III: Dürer and Holbein
- reaches its highest eminence in Raphael.
- type, is here united with a high technique of Form — a faculty
- undoubtedly, a higher perfection in this artist than in the
- of the Reformation through and through. To a high degree, the human
- rising ever higher, — those who have passed through the Gate of
- Title: History of Art: Lecture IV: Mid-European and Southern Art
- peoples brought to their Art, in a far higher degree, the ancient,
- world-conception, was in any high degree influenced by the
- highly individual figures were created was also especially great in
- when the High Renaissance in Italy had not as yet begun. These
- Title: History of Art: Lecture V: Rembrandt
- that contains the highest and strongest assertion of human individuality
- its highest expression in Rembrandt.
- applies in a still higher degree to Rembrandt. Rembrandt lives in the
- post-Atlantean age — and this is true in the highest degree of
- but as these were especially high lords and masters, Rembrandt must
- come out properly in full relief. And with the high artistic perfection
- Title: History of Art: Lecture VI: Dutch and Flemish Painting
- surface, and reached so high a degree of perfection.
- groupings in Space, but withal a high degree of inwardness, and a strong
- highest degree. It is scarcely conceivable — (pointing to the
- reached a high degree of perfection. The same subject again:
- Title: History of Art: Lecture VII: Representations of the Nativity
- — remote from all Naturalism, lifted into a higher sphere.
- Title: History of Art: Lecture VIII: Raphael and the Northern Artists
- respect to certain artistic intentions — the highest ideal has
- come to expression here in the highest imaginable way, seen from a certain
- mother to the child. A mother with her child: Once more, the highest means
- once more the thing is perfect in itself, the highest of its kind.
- boundary of times, often bring forth their very highest.
- ideas have been learned from the Art which finds its highest expression
- Raphael's work is the last, the highest, the closing act in a great
- or Soul of the Higher Feelings to that of the Spiritual Soul, phenomena
- age. To a high degree, man was about to be fettered to that physical
- riches of the higher orders, their overweening arrogance, their growing
- rank — from the highest in the land to the lowest. Moreover, the
- a high degree of perfection.
- to follow the rules which were considered the highest requirements of
- difficulties at once. We must imagine it high up so as to look down
- might call it) are seen, you have to look high up above. We are looking
- in a highly perfect form in the Hamburg Master, Meister Francke, who
- Man of Sorrows, you see how high a degree of perfection the expression
- case, attain the high perfection which Raphael attained, for instance.
- Title: History of Art: Lecture IX:
- bring ancient Greece to life again on a higher level, permeated this
- highest degree in Phidias and his School and in Polycletus — in the
- of the 5th century and find in such a shapes a tryly high degree of
- between Donatello and Brunelleschi with his high idealism — immersed
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