Searching The History of Art
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Query was: imitation
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- Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
- with a fresh and open mind. It lies not in the mere imitation of
- Title: History of Art: Lecture V: Rembrandt
- all the way with him. Indeed, his limitations — bowed themselves
- Title: History of Art: Lecture VI: Dutch and Flemish Painting
- who was in a sense only a kind of imitation of David. We now come to
- Title: History of Art: Lecture IX:
- could only do so with the help of poor, late imitations. Truly, great
- the poor imitations that were then available. And if we really try to
- impossible for these late imitations to inspire the lofty conceptions
- Phidias. This is, of course, a later imitation, though undoubtedly it
- statues in Rome, here I must say the imitation has become insipid, fatuous.
- Indeed, this figure shows already the type of the later imitations of
- which these later imitations were derived.
- — imitations of earlier works, perhaps, which have, none the less,
- imitation of an earlier work.
- subjugated by Rome. In Rome, to begin with, there was a kind of imitation
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