Searching The History of Art
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- Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
- begin with in the West, we can find no immediate historic
- the more immediate influence of Greece. For outwardly though
- his gaze to that which lives and moves immediately upon the
- immediate interest in all that lives and moves on Earth. Thus we
- ourselves up to the immediate impression of Giotto's pictures,
- receive his spirit. It was only out of the immediate, realistic
- presently return to the pictures more immediately following his
- immediate followers of Giotto, you will already have a
- Spirit — which was lost to immediate vision, to be used in
- Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
- Christ from the immediate vicinity, and it proved to be very similar
- the immediate impression of Savonarola who had just been put to death.
- immediately afterwards, and played so great a part in the politics of
- Title: History of Art: Lecture III: Dürer and Holbein
- immediate effort to take hold of the form as such, or to achieve a
- Title: History of Art: Lecture V: Rembrandt
- immediate impression of his works — so far as is possible through
- the surface. Even the great figures of the immediate past were appreciated
- observer of the immediate reality. But he observes it not in the spirit
- us aware of the immediate individual presence of a strong and forceful,
- there was this immediate and original creation out of a human soul —
- Title: History of Art: Lecture VI: Dutch and Flemish Painting
- of Art. It is, as you know, the period immediately after the dawn of the
- place their subject in the immediate reality which surrounds them. The
- times, was taken right away from their immediate surroundings. But this
- immediate naturalistic reality. Men of the Netherlands stand before us as
- by the German Christian Masters of the period immediately preceding
- transferred into the artist's immediate present. For the Kings who come
- there comes to expression here the full and immediate human inwardness,
- Title: History of Art: Lecture VII: Representations of the Nativity
- any reader immediately, if he reads the Gospel carefully.
- Title: History of Art: Lecture IX:
- re-discovery of the ancient Art in the period immediately preceding the
- from immediate inner experience — experience of the Etheric —
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