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- Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
- life of feeling directed purely to the inward things of the soul.
- the West more inward. His soul wanted to live in sympathy with
- lark, calling her his sister. An infinite inwardness, a life of
- man's gaze is now made inward and centered upon the earthly life;
- concerned only with the gazing inward of transcendent impulses
- describe it, a more inward stream,a stream more of the soul. The
- Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
- outward vision what could no longer be made known by inward feeling.
- so inwardly complete, harmonious, serene as this, he often has to seek
- Title: History of Art: Lecture III: Dürer and Holbein
- all, that which flows inward, both from the South and West, is ever
- Title: History of Art: Lecture IV: Mid-European and Southern Art
- as is the Byzantine type of Christ, inwardly human is the
- — of the Northern Art to express inwardness of life and soul.
- expression altogether determined by a turning inward of the life of
- the human soul — this speaking from an inwardness of soul in
- deep striving for inwardness. It is not too much to say that one
- belief of our contemporaries, these things are overcome. Inwardly,
- Christian subjects with deep inwardness of soul. The following are
- Title: History of Art: Lecture V: Rembrandt
- own full inwardness of soul. But to bring inwardness to the outer object
- out of an inward experience of his own being. The artist of the Fifth
- and inwardness. The next is the Resurrection.
- Title: History of Art: Lecture VI: Dutch and Flemish Painting
- groupings in Space, but withal a high degree of inwardness, and a strong
- individuals portrayed with inwardness of soul. Thus the one aspect of the
- of real inwardness — to realise the inner experience. And then
- there comes to expression here the full and immediate human inwardness,
- about it, and yet the whole event is permeated with humanity, with inward
- Title: History of Art: Lecture VII: Representations of the Nativity
- is more individualisation— creation out of inwardness of soul,
- Title: History of Art: Lecture VIII: Raphael and the Northern Artists
- expression in his work so perfectly; so self-contained, so inwardly
- on the other hand, who attained some inwardness of soul were pondering
- to them from the South. Their inwardness is in opposition to these laws
- this peculiar talent to perceive the inwardness of things, the possibility
- When I say “inwardness of things,” I mean not merely inwardness
- of soul, but the inwardness of things themselves, expressed in the spatial
- most originally and most truly. Here, too, Christianity was inwardly
- more inward process in these districts; and here the original and elemental
- Title: History of Art: Lecture IX:
- inwardly. It is very interesting to receive the impression of the two
- no longer lived within the soul in the same inward way as did the ancients.
- ancients had felt and known inwardly — what they had feelingly known,
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