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- Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
- in Him for mankind? This type of the Saviour, and similar types
- overwhelming force pouring in from distant worlds into mankind.
- What was mankind
- criticism of Materialism. The time had to come to mankind to
- soul-life of mankind was St. Francis of Assisi. I admit it is a
- great conceptions in which the evolution of mankind is still
- in the soul-life of mankind a little earlier than their
- came forth entirely from that kind of outer world which Roman
- kindled to an experience of the sacred action. No; the story of
- kindled in their souls. Such pictures bring home to us the
- been conquered by mankind. That deepening of life which had come
- for Judas Iscariot; but now the Abbot himself, if he would kindly
- out of a kind of memory of the totality of vision which is lost,
- Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
- world of the senses which contained mankind. Even their view of Nature
- in him today, but as a kind of court entertainer. From the skull of a
- house. We need not say that he was intended as a kind of
- feeling into Rome. As an artist he achieved a kind of spiritual conquest
- that the sons of his patron were of quite a different kind. He who had
- it spread far and wide into the civilisation of mankind. It is as though
- that other tendency in which he does not seek this kind of composition.
- that the pictures of this kind do not exist from every period in his
- of that which went before mankind.
- the evolution of mankind.
- Art, in the evolution of mankind. It lies in the deep tragedy of human
- kind of cruelty, never scrupling to use misrepresentation and even poison
- Art, while on the other hand the moral feelings of mankind made vigorous
- Title: History of Art: Lecture III: Dürer and Holbein
- impulse of artistic fancy is of a very different kind. Tracing it
- token, and the inner life which it contains underlies this kind of
- Art is perfect in its kind.
- the right, and other things of that kind, — it is far better simply
- Title: History of Art: Lecture IV: Mid-European and Southern Art
- still contains mankind as a whole. Think how intensely an Athenian
- kind. Most, if not all of them are the independent work of the
- Title: History of Art: Lecture V: Rembrandt
- kind of introduction, indicating the historic background of the artist's
- unique a figure is Rembrandt in the history of mankind. We should, indeed,
- to mankind: “Remember once more what lives in the elemental depths
- he probably fell more and more into a kind of despair — despair
- of the presence of any such living sources in the evolution of mankind.
- pictures or anything of that kind. Rembrandt stands out as the
- historic evolution of mankind. From the aspect of artistic history,
- during the lecture, which thus became a kind of running conversation
- we might describe as a kind of cramp, or paralysis, poured out over
- Title: History of Art: Lecture VI: Dutch and Flemish Painting
- in the most manifold quarters in the evolution of mankind.
- in the modern sense. They are more like a kind of narrative or
- we could, at most, regard this as a kind of primitive illustration.
- which are further away. In olden times they often made use of this kind
- taken shape — this idea of the Salvation, the Redemption of mankind
- There is a kind of echo of artistic tradition. In Van Eyck's work we
- who was in a sense only a kind of imitation of David. We now come to
- Title: History of Art: Lecture VII: Representations of the Nativity
- Our friends have been kind
- fallen into the hands of utter dilettanti, who carry on all kinds of
- of whatever kind is a mere antiquated superstition.
- Title: History of Art: Lecture VIII: Raphael and the Northern Artists
- today will enable us to give a kind of recapitulation of various things
- once more the thing is perfect in itself, the highest of its kind.
- exoteric life today is more or less of this kind. All its available
- one of the earliest appearances of this kind. Then we find many pictures
- showed any kind of talent for the Art of painting. They had no talent
- surface. He seems quite unable to obey any kind of perspective law.
- There are countless faults of the same kind. It is all clue to the fact
- not yet worked his way through to any kind of perspective or observation
- Title: History of Art: Lecture IX:
- they are working hard to turn him into a kind of carnivorous monkey.
- Indeed, they are often thought of as a kind of resurrection of the spirit
- Belvedere — Apollo represented as a kind of battle-hero.
- subjugated by Rome. In Rome, to begin with, there was a kind of imitation
- the early Middle Ages, the contemplation of the ancient works kindled
- bas-reliefs of the doors of the Baptistery in Florence are, of their kind,
- kind of pinafore. Just as he entered, Brunelleschi unveiled his Christ.
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