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- Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
- of the second millennium A.D. when Cimabue lived, — that
- Giotto lived from 1266 to 1337. Francis of Assisi was a man who
- his gaze to that which lives and moves immediately upon the
- every single man a world in himself. Yes, one desires to live in
- have no idea how intensely men had lived with these transcendent
- the West more inward. His soul wanted to live in sympathy with
- immediate interest in all that lives and moves on Earth. Thus we
- St. Francis, and showing how directly Giotto lived in the same
- passed over into that in which we live today, which takes its
- might say: Just as St. Francis himself lived after all in a
- world, still lived within the Spiritual and could unite it with
- longer represented for their own sake. True, they live on, but
- represent the sacred fact. The sacred legend lives on; and, being
- Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
- civilisation in the midst of which they lived. Today, indeed, people
- a different feeling of Christianity than inspired those who lived, for
- souls lived in the ideas connected with the Mystery of Golgotha, as
- of his life, by all that he had seen, he lived with his feelings still
- created if he believes in these things and lives in their midst. It
- the evolution of the world who does not live in it, like Michelangelo,
- in which he lived. But he experienced withal the Northern protest of the
- say: Leonardo lives in the midst of a large and universal understanding.
- World-understanding. Michelangelo lives in the policical understanding of
- time and lived in the soul of Michelangelo himself: — the belief
- But the deep and pure Christian feeling that lives in Michelangelo comes
- Yet, this was not all, for he lived to witness the transition to the
- hand, live and move and have their being over and above the individual.
- Even inasmuch as they are individual, they live and move in a cosmic
- how in the one, in Leonardo, there lived much that has not yet been
- developed further, even today. Think how there lived in Michelangelo
- in the narrower and in the wider sense. Think how there lived in Raphael
- the necessary tragedy of human history, which has to live itself out in
- Title: History of Art: Lecture III: Dürer and Holbein
- lives in the Form itself, in the Form that belongs to the pure
- unable to come forth, being overwhelmed by the other. Yet it lived
- of light and dark ray out upon all that lives and moves on Earth,
- earthly Nature the man of Middle Europe lived with a special
- and all that lives therein. This is Dürer's kingdom. Hence he
- are clearly visible in him. I refer to Martin Schongauer, who lived
- human figure he places that which lives as a reality in the astral
- who lived from 1470 to 1529. In Grünewald you will admire more or
- Augsburg, he then lives in Basle, and afterwards loses himself —
- time in which he lives.
- generally imagined, there lives in Dürer the greatness of that
- there lived, artistically speaking, a goodly piece of Faust.
- feeling of the time in which Dürer lived and out of which he was
- Title: History of Art: Lecture IV: Mid-European and Southern Art
- treated as though it were something that lives a life apart. This,
- height in Rome, where, we might say, man lived more in the streets
- than in his own house; and with his soul-life, also, he lived more
- of space. From the very outset men live together, live together as
- in Middle Europe. In Middle Europe man lives within himself; seeks
- of the Passion had found its way into their lives by that time.
- what infinite depths Christianity had found its may into the lives
- To live with the
- Dürer's, who subsequently lived at Strasburg, and at Freiburg
- Title: History of Art: Lecture V: Rembrandt
- to mankind: “Remember once more what lives in the elemental depths
- deep well-springs of the people. What was the time when Rembrandt lived
- egoism of one's human personality. It is, rather, to be able to live
- applies in a still higher degree to Rembrandt. Rembrandt lives in the
- sets down his figures; he lets them stand there and then he lives and
- lives within and what can be observed from without — to become
- that what lives in color is already there potentially in the light and
- live among us.
- lives — though he is unconscious of it — the element of
- 567. Christ of the Mount of Olives
- Title: History of Art: Lecture VI: Dutch and Flemish Painting
- we shall naturally live in the element of composition. One who has
- at a time when the districts where these artists lived did not possess
- contemporary artist who outlived Van Eyck by a few years — the
- Title: History of Art: Lecture VIII: Raphael and the Northern Artists
- alive. We must only find the connection of what surges through these
- Title: History of Art: Lecture IX:
- in them were to gain thereby a real feeling of what lives invisibly
- Goethe lived with his whole
- the idealised human form they were able to express what lives and weaves
- in Art. The way in which Phidias and his pupils saw it lived on for
- quite superficially what had lived so strongly in this Golden Age of the
- they lived together — had gone out to buy things for their breakfast.
- no longer lived within the soul in the same inward way as did the ancients.
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