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- Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
- to express in pictorial Art what was thus living in the souls of
- a later time, living already in the soul of Francis of Assisi.
- artist carried along, as it were, by the living impulses of St.
- the same impulses, living as a simple religious enthusiasm in St.
- rather to convey the life of soul, pouring outward as a living
- soul finds living expression in them all. Here is essentially a
- cannot yet deepen his composition so that a living soul speaks
- artist felt more as a living organism. Man, too, after all, is
- then, were living in the feeling of the human being, — a
- of what is living on the Earth are received into the midst of
- Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
- were living, at the beginning of the 5th post-Atlantean age. Leonardo
- of their time. For this civilisation entered livingly into the artistic
- what is intended to be living in it. In this way, Art is expelled from
- its living connection with the spiritual life as a whole. At the same
- be living in the whole way of feeling of their time. We cannot understand
- idea that a specific moral impulse must be living in what goes by the
- with the Mystery of Golgotha, we find them still living in the souls
- streams are living in him. The one, which comes out especially in his
- to a tradition still living at that time as regards the creation of
- idea living in his soul, Michelangelo saw Rome becoming Jesuitical.
- living at that early stage, and was able to take shape in this remarkable
- of the picture as living in the very time itself. Below are the human
- about the inspiration, the Idea of the Trinity had been living in him
- “Tell me of the idea that has been living in you for so
- worlds. Thus they are dreamy Beings, living within the universal nexus.
- have tried to describe a little of what was living in them, and of their
- Title: History of Art: Lecture III: Dürer and Holbein
- impulses, to portray how the living Will of man expresses
- gesture in which the soul itself is living, in which it seeks to
- instance, all that is living in the famous “Last
- with different objects and living creatures. Of course, the main
- man is living, is stamped upon his soul and character. Holbein
- Title: History of Art: Lecture IV: Mid-European and Southern Art
- expression in the great works of Art, are also living in the whole
- there still existed a living atavistic perception of what plays
- world, this living with the group-soul nature — with all that
- forms of the body. It is, rather, like a continuation of the living
- dramatic element, the living movement of soul, is expressed in the
- Title: History of Art: Lecture V: Rembrandt
- Rembrandt reached!” Yet when all this had been living in his soul,
- of the presence of any such living sources in the evolution of mankind.
- era. Nothing can teach us to understand so well what was living in the
- and Raphael, living as they did in the Fifth post-Atlantean age, could do
- to unfold this living and weaving in the light and dark and in the world
- pours out over his figures, and so places them into this living interplay
- in which the onlooker himself is living. That is the wonderful thing
- it is really a living horse. No horse by Rubens, ever really moves.
- Title: History of Art: Lecture VI: Dutch and Flemish Painting
- ceased to be living in the composition, the space itself must be
- the rest, Memling had absorbed all that was then living in the Art of
- Title: History of Art: Lecture VII: Representations of the Nativity
- our souls, from another aspect, that which is living in the Old Christmas
- Child, in whom the Zarathustra Soul was living, had to be taken out
- Title: History of Art: Lecture VIII: Raphael and the Northern Artists
- themes in the whole Cosmos, as it lies before us human beings living
- The ideas, the living
- was living there as artistic tradition. Needless to say, this great
- were living. Some element of the Southern style undoubtedly plays into
- in the art of a Kaulbach or a Cornelius from what is living in this
- Title: History of Art: Lecture IX:
- moment divined that something was living in the Greeks, in intimate unison
- wanted to take hold in a really living way of the life of living things,
- in its living forces and mobility underlies the forms and movements
- the living forces that abound in the Etheric Body come to expression.
- which the living starting-point is given in Goethe's
- living life within the Spirit.
- the spiritual ... The ancient Greek was living in it still. When he
- vision, contemplation, — combined with the living Imagination
- being in this striving towards a living conception of the Spiritual
- the living etheric movement within.
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