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- Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
- will try to cut a long story short, albeit this will inevitably
- it came over brought with it, along with all the other
- painting. Alas, it is no longer really visible today, not even
- is probably no longer to be seen at any place. Hence Cimabue's
- him. (All this is no longer extant, for reasons we shall
- man himself, no longer hovering like the vast and distant sphere
- them he looks with loving sympathy and understanding. Going along
- still see in them the tradition of the former time, but along
- will no longer find the mere traditional expression, but you will
- long been working at his Hymn to Nature — the great and
- artist carried along, as it were, by the living impulses of St.
- Francis. Here in this picture, belonging as it does to a later
- work, while this belongs to a very late period in Giotto's life.
- we come on into the 14th and 15th century, we see the longing,
- itself more and more. There is no longer that strong impulse to
- longer represented for their own sake. True, they live on, but
- Supper is no longer merely represented (as in the picture that we
- already grown so strong that they no longer feel the same
- him working very, very long at this wonderful picture, for he
- Church. Thus, after long labour, he had not finished Judas
- Maximum number of matches per file exceeded.
- Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
- lost. European humanity, in a certain sense, no longer cares how a given
- it was no longer given to him, as to the men of former ages, to trace
- outward vision what could no longer be made known by inward feeling.
- in Florence during his long life. We see this in the succession of his
- worked upon during a long period. We have often spoken of it. We know
- an intense delineation of character. It stands apart and alongside of
- are no longer present.
- it belongs to a somewhat earlier period, we give what Michelangelo created
- idea which he carried throughout his long life, and is connected far
- this standard. Truly, he underwent much in his long life. While he was
- for a long time. It was certainly not the case that the Pope said:
- long,” and thus together, so to speak, they arrived at the
- Also belonging to the same
- to a high degree; nor did he ever bind or fetter them, so long as they
- Consider, alongside of this
- that belonged to political history. Especially at the present moment,
- Title: History of Art: Lecture III: Dürer and Holbein
- they no longer contain what comes, as it were, out of the
- there blossomed forth something that was afterwards no longer there
- lives in the Form itself, in the Form that belongs to the pure
- Art is able to express. Man walks along, man turns his head. With
- in these sculptures of the Cathedral at Naumburg, belonging to the
- very good copy in Dresden, so good that for a long time it passed
- other, belongs, nevertheless, to the same artistic context.
- the center; for this Madonna of Nuremberg belongs undoubtedly to a
- Dürer, while on the other hand he also has in him the longing
- Title: History of Art: Lecture V: Rembrandt
- came to Weimar, and it went on for two or three years longer. Everyone
- Human souls no longer had the force to penetrate to the heart and center
- of Classical antiquity, for he belongs to the Fifth and not to the Fourth
- richer in soul-content than before. Henceforth it is no longer merely
- Rembrandt, the man of genius — henceforth it is no longer merely
- long time, my dear friends, making one observation or another about
- people of one and the same class or calling, men who belonged together
- Title: History of Art: Lecture VI: Dutch and Flemish Painting
- Mid-Europe really has no talent for this belonging together, this
- particular nation to which they belonged was not the point. Nor did they
- group to which they might belong.
- constructed: the figures distributed in Space so as to belong together
- life, which belongs to the fifth post-Atlantean period. This pole is in
- naturalistic principle in Art, which belongs to the fifth post-Atlantean
- no longer as before, half child-like forms. In such a group as this, you
- continued working at it for many years, and scholars have long been
- works more or less equally along the lines of Van der Weyden on the
- and with it the landscape that belongs to it. In Dieric Bouts you will
- what he has been striving for along this path.
- artists who no longer show quite the same freedom and simplicity, but
- element of composition. Also we have no longer the mere naturalistic
- Title: History of Art: Lecture VII: Representations of the Nativity
- Plays with which we are familiar. Though the latter belong, of course,
- which are no longer extant.
- I remember having seen it there myself not long ago.
- Title: History of Art: Lecture VIII: Raphael and the Northern Artists
- are naturally no longer near us today. To represent so truly this wandering
- of the soul in human form through the spiritual world, would no longer be
- subject. No longer is there poured out over it the magic breath of a
- and its seeking, its longing and striving.
- only the outcome of a long line of evolution. But this outcome appears
- imported from the South along the paths of evolution of the Church —
- but you will find it in other works by Multscher belonging to the same
- for comparatively long. They were brought over to Christianity at a
- Title: History of Art: Lecture IX:
- that tend in the long run to brutalise even the artistic life. Goethe
- What can become of man if he proceeds along this path of modern sports,
- of the body arises, in that he no longer separates, what even here is
- a long time. It was felt that the line of the face, the features, the
- It is no longer possible to gain by outer vision a conception of Phidias'
- To the same epoch belongs
- preserve the tradition of the Golden Age, although it belongs to a later
- what is actually seen. It is no longer based on something felt and sensed
- no longer lived within the soul in the same inward way as did the ancients.
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