Searching The History of Art
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- Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
- stones, with the most primitive materials, the animals and other
- earthly-material realities. This must not be taken as a hostile
- criticism of Materialism. The time had to come to mankind to
- enter fully into the material reality, taking leave for a time of
- materialist? Who was it gave the very first impetus to
- materialism? Considering the matter from a somewhat higher point
- the first man to introduce the material way of feeling into the
- materialist, and yet it is so. For one may truly say: the last
- around us, in its natural material content and in its soul and
- Title: History of Art: Lecture IV: Mid-European and Southern Art
- creating his plastic works in many different materials.
- Title: History of Art: Lecture VI: Dutch and Flemish Painting
- an invention of the most modern naturalistic materialism.
- Title: History of Art: Lecture VII: Representations of the Nativity
- like to make, before we go on to show the pictures. The materialistic
- Title: History of Art: Lecture IX:
- In this sphere, as in all others, materialistic prejudices stand in
- an outcome of the materialistic conception of life — represent,
- as it were, the other pole. At the one pole, materialism tends to conceive
- he imparted to the physical material, he strove to create, as it were,
- is really grasped, can bring salvation from the perils of materialism.
- not yet the ability to express through the material what they experienced
- material. To a large extent their works were done in this material.
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