Searching The History of Art
You may select a new search term and repeat your search.
Searches are not case sensitive, and you can use
in your queries.
Query was: matter
Here are the matching lines in their respective documents.
Select one of the highlighted words in the matching lines below
to jump to that point in the document.
- Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
- materialism? Considering the matter from a somewhat higher point
- when the composition was no longer given as a matter of course
- works as a matter of course. I beg you to remember such a
- Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
- to the content, to the subject-matter, and yet, this need not be the
- subject-matter is presented to it. In wide circles, artistic understanding
- I do not mean that they borrowed their subject-matter from the spiritual
- It was they who mattered, — who in the meantime had become powerful,
- this took place quite as a matter of course, and the gradual elimination
- the subject-matter, the point was to study and portray with precision
- the God Dionysos. You will find indications on these matters in various
- Title: History of Art: Lecture IV: Mid-European and Southern Art
- time have to bring more and more light into these matters.
- the narrative and subject matter, while appreciating far too little
- Title: History of Art: Lecture V: Rembrandt
- we are pointing to no matter of chance when we recall the fact that
- reader in the light, the light itself is made of the subject-matter,
- Title: History of Art: Lecture VI: Dutch and Flemish Painting
- It is no mere matter of
- extent and frontiers of a particular State are considered a matter of
- about its frontiers. What mattered to them was that human beings full,
- Title: History of Art: Lecture VII: Representations of the Nativity
- more from the point of view of subject-matter. The pictures today will
- Title: History of Art: Lecture VIII: Raphael and the Northern Artists
- the underlying subject-matter. Here, however, the artist's power is
- so magnificent that it draws the subject-matter into its own sphere.
- the historic documents contain little about it) that in artistic matters,
- pays no heed to these elementary matters of spatial distribution. One
- Title: History of Art: Lecture IX:
- these matters, to gain some understanding of those noble forms of Humanity
- whole. Nor does it matter so much, whether we speak — as the historians
- It is, after all, a mere matter of choice — arbitrary human choice —
Rudolf Steiner Archive is maintained by: