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- Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
- upward from a world below to a middle and thence to a higher
- Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
- 24. Middle group of “Battle of Anghiari”. (Engraving by Gerard Edelinck after the Cretaceous-copy of Peter Paul Rubens.)
- the peculiar nature of that Middle-Eastern part of Italy. In spite of
- Title: History of Art: Lecture III: Dürer and Holbein
- in Middle Europe up to the time when Dürer and Holbein entered
- mainsprings in Middle Europe. I mean that Central Europe which we
- or imagination proceed from this region of Middle Europe. As
- I have just characterised rayed out again and again from Middle
- from Middle Europe was fertilised in turn from the South. All that
- But this is only the one tendency. In Middle Europe there always
- and again more or less repelled, pushed back again. In Middle
- especially, there is in Middle Europe the mood which afterwards
- unnoticed, in Middle Europe, something that unites this country
- earthly Nature the man of Middle Europe lived with a special
- differently in Middle Europe than it does in the South. Color, in
- Title: History of Art: Lecture IV: Mid-European and Southern Art
- Middle Europe, uniting the more Roman or Latin elements with a
- Middle Europe the systemmatising, formal tendency of Rome was
- centuries to which I now refer, in Middle Europe, are all devoted
- Carolingian period in Middle Europe, Mid-European paganism
- arises out of the very soul of Middle Europe an inherently
- Figure that works upon us. In Middle Europe it is, rather, the life
- in Middle Europe. In Middle Europe man lives within himself; seeks
- its way into Middle Europe,because they tried again and again to
- We will now show a detail, the middle figure of this picture.
- middle of the 15th century. The next is a Madonna, by the same
- Title: History of Art: Lecture V: Rembrandt
- more southern nations of Middle Europe were being massacred in this
- delicate, intimate quality of the creations especially of his middle
- are in black and white; but it is most interesting to see in the middle
- Title: History of Art: Lecture VI: Dutch and Flemish Painting
- for the Individual principle. The true native character of Middle Europe
- the middle portion above the Altar. The figure in the center, in Papal
- of the Middle Ages, grown and matured in the course of the centuries,
- about 1452 — the middle of the 15th century.
- Title: History of Art: Lecture VII: Representations of the Nativity
- The Nativity, which interests us mainly now, is shown in the middle
- Title: History of Art: Lecture VIII: Raphael and the Northern Artists
- the time in Middle Europe, — the German towns and cities. Invisibly
- be a full-face figure in the middle of the picture, and others in profile
- Middle Europe have to feel their own way towards a totality of composition.
- Title: History of Art: Lecture IX:
- 7. Runner (middle of the 5th century
- Thus we stand in the middle
- the early Middle Ages, the contemplation of the ancient works kindled
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