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- Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
- study of which we may presume the human mind will ever and again
- sets out to seek it, the free and open-minded vision of the outer
- with a fresh and open mind. It lies not in the mere imitation of
- Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
- by all the atrocities which have been placed before the human mind of
- midst of this same world. We need but call to mind: In that time, even
- must imagine Michelangelo as a man who in his inmost heart and mind
- into Rome; it flows from his creations into our hearts and minds if
- and high-mindedness, human tyranny and striving towards freedom. If
- Title: History of Art: Lecture III: Dürer and Holbein
- mind another thing in this connection. It is true that in the
- your minds not only the head with its peculiar expression, but the
- Title: History of Art: Lecture IV: Mid-European and Southern Art
- namely, to mind and feeling. Once more, these things must not be
- bear in mind how much in the Southern Art is due to the fact that
- We need only call to mind the portraits, the Madonnas, for
- worked with the heart and mind of the people. And without a doubt,
- this word of remembrance to remind you of the day after tomorrow.
- Title: History of Art: Lecture V: Rembrandt
- Van Dyck, Velasquez. With all their greatness, when we call to mind these
- if you let pass before your mind's eye the whole succession of these
- shade. This must always be borne in mind.
- Now I need scarcely remind
- we are reminded of what I said in one of our last lectures — how
- Title: History of Art: Lecture VI: Dutch and Flemish Painting
- olden times, the artist had in his mind's eye some story which he wished
- if I may put it so, by the Group-mind once more.
- things; but I wanted, above all, to fix your minds on the world-historic
- in mind the points of view I emphasised just now. The individual principle,
- Title: History of Art: Lecture VII: Representations of the Nativity
- bear in mind the general lines of development of Christian Art, which
- bore in mind that the New Testament is the fulfilment of the Old; this
- to mind once more the various Dutch and Flemish Masters of whom we have
- Title: History of Art: Lecture VIII: Raphael and the Northern Artists
- pictures today, let us bear in mind the aspect which has thus been
- of heart and mind of the human beings themselves who in these regions
- He creates out of the elemental forces of heart and mind, but his figures
- can trace it again in the life of Art. Bring before your minds again
- the German heart and mind. The absorption of Christianity was a far
- Title: History of Art: Lecture IX:
- may remind you of it once again today, now that we shall show a few
- again to the best, ideal tradition of the older times; it reminds us
- we were reminded again and again of the life of the free cities and the
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