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Searching The History of Art

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Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

  • Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
    Matching lines:
    • I need scarce make
    • studying and holding fast all human needs. This was only possible
    • meant to express, though they need only to look up their
  • Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
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    • to the content, to the subject-matter, and yet, this need not be the
    • needless to say, in forms and colours and the like which to the true
    • It was only natural (though I should need many hours to say in full
    • had assumed at the time when these artists blossomed forth. You need
    • demands of morality, nor need one be in any way a pietist to say so.
    • midst of this same world. We need but call to mind: In that time, even
    • say, it was as though a man only need lift his arm, to grasp with his
    • understand. And though we need not take it word for word — for
    • house. We need not say that he was intended as a kind of
    • We need not imagine that
    • an artist who can create such a work as the Mona Lisa has any need of
    • the faculties he needs for such creation by emphasising characteristic
    • in his latest period painted visionary pictures, we need only reply
  • Title: History of Art: Lecture III: Dürer and Holbein
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    • Needless to say, we
    • out, needless to say, poured out into the purely Southern
    • (though, needless to say, these are mere hypotheses); What would
    • before him. Needless to say, we make no such assertion in this
    • represents Jesus among the Doctors of the Law, but needless to say,
    • certainly did not mean it in a banal sense. Needless to say, anyone
  • Title: History of Art: Lecture IV: Mid-European and Southern Art
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    • too, is wrong. For we need only have a feeling for the specifically
    • composition and the like — we need only wean ourselves of the
    • ways; we need but feel — before such pictures as Dürer's
    • came into prominence, though, needless to say, there were all
    • Needless to say, such
    • life of the two regions in their essential difference. We need only
    • To possess themselves fully, they need this life in the outer
    • We need only call to mind the portraits, the Madonnas, for
    • Italian Renaissance. (We need make no comparisons, for they are
    • Needless to say,
  • Title: History of Art: Lecture V: Rembrandt
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    • way than he, what was and still is needful for our age, we cannot go
    • the need for a spiritual-scientific movement. Most of them, after all,
    • is needed to sustain the future. None the less, we cannot but feel with
    • Now I need scarcely remind
  • Title: History of Art: Lecture VI: Dutch and Flemish Painting
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    • inner need for territorial union with other cities. A certain
    • character, with all the primitiveness of the period — needless
    • feel that everything is born out of an elemental inner need. Here, on
  • Title: History of Art: Lecture VII: Representations of the Nativity
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    • needs be of a “Gnostic” character. All that is signified
    • always important. We need only faithfully follow the Gospel narrative.
  • Title: History of Art: Lecture VIII: Raphael and the Northern Artists
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    • still there, needless to say, even in his etheric body, and we find it
    • Added to this, there was the absolute need to turn one's attention to
    • was living there as artistic tradition. Needless to say, this great
    • do not agree ... Needless to say, the face could not be in this position,
    • that, I need not say, can only be the Spiritual. In the portrayal of
    • itself. And this “Reality,” I need not say, can be none
  • Title: History of Art: Lecture IX:
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    • The two things run parallel with one another. Needless to say, modern
    • everything in that time was more or less instinctive) the need to
    • explanation which needs, no doubt, to be supplemented, but which was none

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