Searching The History of Art
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- Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
- background, and it was as though the object now were to
- Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
- course, the sacred figures. These things had been objectified, loosed
- when the Christian conceptions had, as it were, become objectified and
- Title: History of Art: Lecture III: Dürer and Holbein
- something that lies beneath the outer objects works into their
- object and plays over its surface, while on the other hand it
- surges from within the object to the surface. The latter
- with different objects and living creatures. Of course, the main
- the light to this object? What says the light to this being? You
- Title: History of Art: Lecture V: Rembrandt
- the reality? He confronts the object as an outsider — really and
- no other than confront the object as men stand outside it. But they still
- the object. Rembrandt confronted it altogether outwardly, and yet in
- own full inwardness of soul. But to bring inwardness to the outer object
- the object, but for that color which is cast on it from outside —
- must stand over against his object from without. He lets the world work
- upon him objectively, yet in such a way that there is still a universal
- man himself, as an outer object, gives him the possibility of seeing
- Title: History of Art: Lecture VIII: Raphael and the Northern Artists
- In Holbein's Dance of Death the object was especially to show how Death
- object was to show Death as a righteous judge. Holbein in his Dance
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