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Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

  • Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
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    • lectures that the Romans were an unimaginative people. It was
    • the world of the common people. Look at the expression of the
  • Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
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    • friends, that in our time people have little understanding for what is
    • a whole. People say that our attention is thus diverted unduly from
    • more developed in the ordinary common sense of the people. We must not
    • civilisation in the midst of which they lived. Today, indeed, people
    • time, on the other hand, people fail to understand the artistic element
    • and characteristic in all details. People will often not believe that
    • People who feel the story
  • Title: History of Art: Lecture IV: Mid-European and Southern Art
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    • their way most wonderfully into the soul-life of the people
    • question: To what does Art appeal among the Southern peoples? To
    • the southern people with a slight, suggestion of a sanguine
    • Christianity into the life of the people is also recognisable, or,
    • peoples brought to their Art, in a far higher degree, the ancient,
    • with the fact that the people run gladly together, crowd gladly
    • erected by Gothic architecture stand there not because the people
    • contrary, because they must first call the people, bring them
    • worked with the heart and mind of the people. And without a doubt,
    • orders with that inner life and character of the people which we
    • into the souls of these people so as to become an universal
    • of these people. It had risen to a universal and truly
    • suggest — as many people still do today — that the
    • people, their blind devotion and dependence. Today, in the fond
  • Title: History of Art: Lecture V: Rembrandt
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    • mass of the European people, once more bearing witness to the truth that
    • for something elemental and original. Many people in Mid-Europe began
    • significance, especially so for the close of the 19th century. People
    • many people. He felt that the spiritual and intellectual life of men
    • our souls. All people of that time passed by unheeding — passed
    • deep well-springs of the people. What was the time when Rembrandt lived
    • people.
    • of this same people.
    • with his hearers, among whom there were always older people as well
    • pictures thrown upon the screen, people in the audience again and again
    • the people in the room. He is there — and if you imagined all
    • by itself — it would be all the more vivid. The number of people
    • people. Look at this whole collection of men. Some Guild or other —
    • people of one and the same class or calling, men who belonged together
  • Title: History of Art: Lecture VI: Dutch and Flemish Painting
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    • more attachment to the Group-soul as such. Hence the people of the South
    • of the Southern nature — speaks of his devotion to nation or people
    • people of those regions, and of that time, had no inclination to think
    • importance. To the people out of whom the brothers Van Eyck arose, the
    • impressed upon the people. These traditions most certainly corresponded
    • of the people. Nevertheless, all manner of other influences enter into
  • Title: History of Art: Lecture VII: Representations of the Nativity
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    • nonsense and abuses with it. Few people nowadays are in true earnest
    • Even as late as the 18th century people still spoke of something which
  • Title: History of Art: Lecture VIII: Raphael and the Northern Artists
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    • document tells us so well, what the people of that time were like.
    • The people of that time
    • Art of the German people shows itself most characteristically on the
    • But it must be said that the people whose home was in the German-speaking
    • The talents of the people of these districts lay in another direction.
    • could only understand with great difficulty. To the people of these
    • crowd of people standing in the background. Look at the faces. Considering
    • style. The time may come when people will understand what we have been
  • Title: History of Art: Lecture IX:
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    • to the people of today. It is quite in keeping with the propensities
    • in the widespread unimaginativeness of the Roman people, to which we
    • to the different characters of the people, — we find this element



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