Searching The History of Art
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- Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
- person of the Redeemer Himself, or the Madonna, the angelic
- man's personal well being. Then suddenly, through his own
- personal experiences his inner life was revolutionised. It was at
- Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
- the personal character of each one. These Sibyls of Raphael, on the other
- Title: History of Art: Lecture III: Dürer and Holbein
- placed when he would stand firm on his own personality alone. He
- personality with both feet on the ground, he expresses as a
- Title: History of Art: Lecture V: Rembrandt
- egoism of one's human personality. It is, rather, to be able to live
- mighty personality, lighting forth in the seventeenth century.
- Title: History of Art: Lecture VI: Dutch and Flemish Painting
- the picture, as it were, — into the personality of the figure
- Impersonal perspective. This “impersonal perspective”
- recognition of the personality, the human individual —
- the person.
- Title: History of Art: Lecture VII: Representations of the Nativity
- personalities stand before us in a more and more human form.
- Title: History of Art: Lecture VIII: Raphael and the Northern Artists
- very different it is when we consider in this light, say, the personality
- personality. Again and again the question comes to us: How is it that
- the picture, you may naturally ask yourself about the event or personality
- our souls the personality of Albrecht Dürer; showing a number of
- altogether different personality. It is impossible to think of Dürer's
- not easily forget the personality, the human being. Not that we must
- and balance: Of how one ought to group the persons in a picture, and
- quality of soul of every single person. And yet the artist's relation to
- person is dovetailed into the other. The next is another picture by
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