Searching The History of Art
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Query was: physical
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- Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
- first a physical illness which turned him altogether away from
- Title: History of Art: Lecture III: Dürer and Holbein
- certain sense, behind what is directly, physically
- Title: History of Art: Lecture VI: Dutch and Flemish Painting
- the second pole of that entry into the physical reality in the artistic
- the existing physical snake — should have been the Tempter, is
- Title: History of Art: Lecture VII: Representations of the Nativity
- of the physical plane. As we follow the evolution of this Art, the sacred
- expression in actual physical relationships — in the constellations
- spoke of the significance of the physical constellations. But not only
- approaching Christ from the physical plane — all that is connected,
- Title: History of Art: Lecture VIII: Raphael and the Northern Artists
- in the Physical. Thus even if we take the pure picture of Nature —
- stands unfinished when he leaves this physical plane. In cyclic periods
- there when the etheric is freed from the physical. The union of the soul
- emancipated from the Physical. We find this threefoldness in manifold
- physical plane into which men had to enter during the fifth post-Atlantean
- age. To a high degree, man was about to be fettered to that physical
- come out most of all on to the physical plane of existence.
- deeply on the penetration of the Spiritual world into the physical.
- were entering most terribly into the physical world just at that time.
- Title: History of Art: Lecture IX:
- of the Physical. He felt how the Etheric is manifested or portrayed
- in the forms of the Physical Body, while in the movements of the latter
- he imparted to the physical material, he strove to create, as it were,
- the Greeks evolved the power to express in the outer physical form the
- represent not the dead human being — the mere physical body —
- physical, and the physical falling asunder, is the characteristic thing
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