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- Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
- transposed into higher realms. We can see quite clearly how, as
- that time onwards, turned the soul's attention quite away from
- painting. Quite a new inner life appears before us here. We may
- Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
- Michelangelo or Leonardo, whose whole way of feeling was quite different.
- other day when speaking of St. Francis, — it was imbued with quite
- knew life quite differently than we do, — that is to say, out
- that the sons of his patron were of quite a different kind. He who had
- this took place quite as a matter of course, and the gradual elimination
- not quite in the historic order, we shall show those of his pictures
- each one brings to expression a quite specific visionary character of
- human atrocities; for today it is permitted to write of them quite
- the Christian life quite fundamentally with Rome — to make Rome
- Title: History of Art: Lecture III: Dürer and Holbein
- we observe again in quite another sphere in Shakespeare. For
- expression of the word itself in signs quite naturally wedded with
- it all something quite different is holding sway; it comes to
- the figures down below arranged quite in the Southern way; the
- very beautiful. It is quite untrue to suggest that in creating this
- work together; he lets the light fall on the sphere in a quite
- half-dark, quite dark, and brilliantly illumined. Then he sets down
- elements which we tried to characterise before — quite universal
- Title: History of Art: Lecture V: Rembrandt
- quite obviously the work of a man who reads the Bible for himself.
- of this picture this is attained. These gentlemen did not go quite so
- Title: History of Art: Lecture VI: Dutch and Flemish Painting
- misfortune to be quite so up-to-date, then, even if we knew nothing
- perspective first arises. We see how it evolves quite naturally out
- It goes with this, quite
- we see arising quite naturally, the art of landscape painting. The
- Its tendencies are quite evidently present in this picture; but for
- artists who no longer show quite the same freedom and simplicity, but
- Here you see quite deliberate
- The next is a painter quite
- Title: History of Art: Lecture VII: Representations of the Nativity
- naturally enough, the text is often quite unintelligible. But in the
- Title: History of Art: Lecture VIII: Raphael and the Northern Artists
- surface. He seems quite unable to obey any kind of perspective law.
- he sees for himself. And the one thing does not quite agree with the
- would make the picture quite impossible. We see once more the striving
- the philosophy of Kant reveals itself quite evidently as a North German
- Title: History of Art: Lecture IX:
- to the people of today. It is quite in keeping with the propensities
- the ethereal universe. Out of this there arose quite instinctively (for
- quite superficially what had lived so strongly in this Golden Age of the
- quite a different instinctive feeling for Art than later in the 19th
- was quite capable of producing something of the character of Genre: —
- Then a new age began. I will only repeat quite briefly: — In the 12th
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