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Searching The History of Art

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Here are the matching lines in their respective documents. Select one of the highlighted words in the matching lines below to jump to that point in the document.

  • Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
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    • transposed into higher realms. We can see quite clearly how, as
    • that time onwards, turned the soul's attention quite away from
    • painting. Quite a new inner life appears before us here. We may
  • Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
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    • Michelangelo or Leonardo, whose whole way of feeling was quite different.
    • other day when speaking of St. Francis, — it was imbued with quite
    • knew life quite differently than we do, — that is to say, out
    • that the sons of his patron were of quite a different kind. He who had
    • this took place quite as a matter of course, and the gradual elimination
    • not quite in the historic order, we shall show those of his pictures
    • each one brings to expression a quite specific visionary character of
    • human atrocities; for today it is permitted to write of them quite
    • the Christian life quite fundamentally with Rome — to make Rome
  • Title: History of Art: Lecture III: Dürer and Holbein
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    • we observe again in quite another sphere in Shakespeare. For
    • expression of the word itself in signs quite naturally wedded with
    • it all something quite different is holding sway; it comes to
    • the figures down below arranged quite in the Southern way; the
    • very beautiful. It is quite untrue to suggest that in creating this
    • work together; he lets the light fall on the sphere in a quite
    • half-dark, quite dark, and brilliantly illumined. Then he sets down
    • elements which we tried to characterise before — quite universal
  • Title: History of Art: Lecture V: Rembrandt
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    • quite obviously the work of a man who reads the Bible for himself.
    • of this picture this is attained. These gentlemen did not go quite so
  • Title: History of Art: Lecture VI: Dutch and Flemish Painting
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    • misfortune to be quite so up-to-date, then, even if we knew nothing
    • perspective first arises. We see how it evolves quite naturally out
    • It goes with this, quite
    • we see arising quite naturally, the art of landscape painting. The
    • Its tendencies are quite evidently present in this picture; but for
    • artists who no longer show quite the same freedom and simplicity, but
    • Here you see quite deliberate
    • The next is a painter quite
  • Title: History of Art: Lecture VII: Representations of the Nativity
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    • naturally enough, the text is often quite unintelligible. But in the
  • Title: History of Art: Lecture VIII: Raphael and the Northern Artists
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    • surface. He seems quite unable to obey any kind of perspective law.
    • he sees for himself. And the one thing does not quite agree with the
    • would make the picture quite impossible. We see once more the striving
    • the philosophy of Kant reveals itself quite evidently as a North German
  • Title: History of Art: Lecture IX:
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    • to the people of today. It is quite in keeping with the propensities
    • the ethereal universe. Out of this there arose quite instinctively (for
    • quite superficially what had lived so strongly in this Golden Age of the
    • quite a different instinctive feeling for Art than later in the 19th
    • was quite capable of producing something of the character of Genre: —
    • Then a new age began. I will only repeat quite briefly: — In the 12th

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