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- Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
- from the East, first had to spread. Nevertheless, Christianity as
- already lost the faculty to represent real beauty — a
- spread over great surfaces, conceived, as it were, in two
- a later time, living already in the soul of Francis of Assisi.
- not to tread it underfoot. He looks up with admiration to the
- friend, Giotto in his paintings already brings to expression the
- with it there is already the human element, in the way in which
- new conception of human life that was already pouring from out
- onlooker may read.
- which we have already seen, so that you may recognise the immense
- immediate followers of Giotto, you will already have a
- can already lose the feeling of one idea pervading the whole.
- His pure spiritual Being, — still you can read in the
- pictures, nevertheless, we can already study here the
- already grown so strong that they no longer feel the same
- spread abroad, though the most beautiful are undoubtedly in the
- to be read in the book of Nature. But at first he often has to
- learn his reading in clumsy devious byways. In such a work as the
- clumsy and unskillful reading of the book of Nature. In Raphael's
- St. Cecilia, on the other hand, we have a reading which contains
- Maximum number of matches per file exceeded.
- Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
- masters of the Renaissance. We ended by revealing the connecting threads
- more to Florence, he was already driven, after all, by the new stream,
- Reformation, which spread with comparative speed, even to Italy; and he
- it spread far and wide into the civilisation of mankind. It is as though
- Thus the idea was already
- their human intellect. I have already spoken of these things and I believe
- Title: History of Art: Lecture III: Dürer and Holbein
- spread of Christianity in the more Southern regions. These Northern
- spread of Christianity. Little is left of what wls contained in the
- in all the cultural life that spread from the North towards the
- South. And, I may say, more than is generally realised, spread out
- spread mysteriously towards the South. Something is here poured
- spread of Christianity and Romanism. Moreover, that which rayed out
- Romanesque grew into it, spreading into the tributary valleys of
- impulse always tends to spread. The Classical element of Form is
- mood already voiced by spirits such as Tauler or Valentin Weigel.
- most wonderfully with the East. When today we read or hear of the
- this most wonderfully. Here we already recognise the working of the
- into the picture by the spread veil, out of which God the Father
- Title: History of Art: Lecture IV: Mid-European and Southern Art
- symbolism we may choose to read into these pictures. Then we shall
- know of the spread of Christianity in the succeeding time. For the
- whole spread of Christianity was a very different thing in those
- what did it appeal already in antiquity? And elsewhere in the
- epoch — (albeit the Fifth epoch already shone into the
- are already running together of their own accord, but, on the
- Title: History of Art: Lecture V: Rembrandt
- reading and discussing this book Rembrandt as an Educator, by a
- was reading Rembrandt as an Educator. I myself — if I may
- Counter-Reformation, spreading out over all Europe.
- how in Rembrandt has continued what I have already explained in the
- that what lives in color is already there potentially in the light and
- quite obviously the work of a man who reads the Bible for himself.
- on all Bible-reading. Bible-reading was anathema; it was forbidden.
- 563. The Reader at the Window. (Copenhagen.)
- reader in the light, the light itself is made of the subject-matter,
- 541. An Old Woman Opening a Book to Read. (Paris.)
- Title: History of Art: Lecture VI: Dutch and Flemish Painting
- several figures are already made larger or smaller in proportion, taking
- I have described already as the inherent impulses which then came to the
- the Group-element, which is, of course, extensive (spread out in space),
- Spain. In that period we see spread out over the Northern and Southern
- whole picture on the surface — spread out like a tapestry. We will
- Here we can already admire
- the other hand, there is already an underlying opinion — this
- Already in this picture
- show brings us already very near the Reformation.
- how strongly the Southern influence is already working in the element
- in whom the element of composition is already strongly paramount. Indeed,
- this is already in the 16th century.
- Title: History of Art: Lecture VII: Representations of the Nativity
- when we read the Gospels. For the text is frequently corrupt and can
- only be read in its true form by those who are able to read with the
- any reader immediately, if he reads the Gospel carefully.
- Title: History of Art: Lecture VIII: Raphael and the Northern Artists
- wish to repeat what has already been set forth. Today we are able to
- was already emphasized by Hermann Grimm. Raphael's work takes its course
- this artist is already striving towards what afterwards emerged —
- seems on the flat. But you will already observe the first attempt to bring
- significantly in another artist, who already seeks for truth of Nature,
- how all these things, which we find in the German Art, emerge already
- of time, had already reached. Compare this Head of Christ with the one
- we must admit that the thread is broken. For afterwards there came a
- occult impulses that came already to expression in this art which we
- already marred by Rome; they tried to recreate Christianity themselves
- Title: History of Art: Lecture IX:
- with the laws of the great Universe. Alread before his journey to Italy,
- a connecting thread throughout the world of animals. We have often spoken
- take hold of the whole body. In Myron we already see how when an arm
- already in, to the Age of Periclean. From the time of Phidias, of whomwe
- examples of the famous Parthenon. You may read the interesting story of
- that was typical of Greek Art was already given. The stamp, the signature,
- Indeed, this figure shows already the type of the later imitations of
- the earlier artists is made more human. We see this already in Praxiteles.
- Here we already see the
- the etheric body) is already fleeing away. It is already a moment of
- Laocoon were already falling asunder. That is the marvellous quality
- about this figure. The body is already being differentiated into its
- in the widespread unimaginativeness of the Roman people, to which we
- Pisano. In his works you will observe already a far greater element
- twenty years was already able to compete with the others in designing
- was already allowed to do the Northern Portals. From a simple goldsmith's
- combined already with a decided tendency to Naturalism. His vision has
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