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- Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
- recognise their character as a whole; these remarkable figures
- which we have already seen, so that you may recognise the immense
- later compositions. For who could fail to recognise that the same
- you will recognise how Raphael, starting from his teacher,
- therefore, from the 13th, 14th, 15th centuries, we recognise the
- recognise how such achievements must be preceded by many lines of
- Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
- means (as we might naively imagine) as the great artist whom we recognise
- of Florence. We can even recognise how the plastic quality of his work
- detailed drawing. Still we may recognise in this an independent artistic
- and you can recognise the great advance. At the same time, we see in
- were, raised into a new form and power of composition. You recognise
- True, we may recognise in these figures many an ancient philosopher,
- Title: History of Art: Lecture III: Dürer and Holbein
- art of the Renaissance. It is hard to recognise in the finished and
- this most wonderfully. Here we already recognise the working of the
- individuality of Dürer. One only learns fully to recognise
- Title: History of Art: Lecture IV: Mid-European and Southern Art
- recognise that the specifically artistic qualities that come to
- recognise at once the flowing together of the more Roman, priestly
- Title: History of Art: Lecture V: Rembrandt
- Title: History of Art: Lecture VI: Dutch and Flemish Painting
- we shall recognise out of this portion of artistic evolution. In the
- In him we recognise a seeker
- more from France. He recognise these influences in the “line.”
- reproduction to recognise the details very clearly.
- Here you will recognise
- Title: History of Art: Lecture VII: Representations of the Nativity
- Children. Artistically, too, we can recognise the difference. The Adoration
- Mysteries, and though they are little recognised, none the less they
- Title: History of Art: Lecture VIII: Raphael and the Northern Artists
- which we recognise as characteristic of the South. Always, however,
- may recognise in them the echoing of a mighty tradition of great Art.
- by Multscher which we saw just now. You will recognise a great advance.
- All that we recognised in the lecture the day before yesterday —
- recognise in historic evolution — we can find them confirmed in
- Title: History of Art: Lecture IX:
- recognised in the leaf, undergoes constant metamorphoses. All organs are
- recognised in a beautiful way the connection between Truth in knowledge
- recognise the essence of the art of ancient Greece. Winckelmann, Lessing
- details we can recognise certain motifs in Michelangelo's paintings,
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