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- Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
- spheres of human life and action, was characterised by a turning
- not seem to have arisen from this earthly world at all. Such are
- art represents the rise of the new age, the 5th post-Atlantean
- the Infinite, the Immortal shall now arise within the breast of
- Giotto. Here you see the rise of that compositional element which
- Men tried, as it were, to see and summarise the world in
- which has not yet arisen to the full height of Art.
- Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
- century Italian Christianity witnessed the rise even among the Popes, of
- his creations arise. We shall present them not in chronological but
- over Rome, making Florence arise again in Rome.
- Yes, he witnessed on a small scale the rise in Florence of what was
- that it shows the rise of the new age, just as truly as we can say,
- with him something that could never have arisen at that time in Rome
- itself, but that could only arise in Florence: the idea of one mighty
- artistically somewhat later what had arisen earlier in a moralising
- understanding of Nature which I sought to characterise just now.
- of the Mystery of Golgotha arises in the soul of Michelangelo in this
- be characterised with equal freedom: But we must also realise: —
- Title: History of Art: Lecture III: Dürer and Holbein
- characterise, but we may describe it somehow thus: the Southern
- I have just characterised rayed out again and again from Middle
- which I characterised just now, raying outward from the basins of
- intensity whenever he could rise to creative fancy. Hence, though
- the fact has scarcely been observed as yet, color arises very
- the being to the surface. That which arises from the artistic
- Dürer is particularly great in expressing what arises from the
- characterised in this picture: Below, the College of Theologians
- the composition here arises out of movement. It is wonderfully
- elements which we tried to characterise before — quite universal
- Title: History of Art: Lecture IV: Mid-European and Southern Art
- a truth which can be characterised in two very simple statements
- arises out of the very soul of Middle Europe an inherently
- a whole, and the life of Art itself arises out of this principle.
- Crucifixion Group. I will only say one thing to characterise what
- of these people. It had risen to a universal and truly
- together in the effort which I characterised just now. The souls of
- rise, and to some extent the decline of a stream of evolution
- power of one and the same man to characterise these two.
- Sophie Stinde — let us now rise from our seats.
- Title: History of Art: Lecture V: Rembrandt
- dependent on that artistic movement which I have characterised in recent
- he rises to the possibility of a certain composition. Rembrandt simply
- and darkness. Here you will feel what I tried to characterise briefly in
- Title: History of Art: Lecture VI: Dutch and Flemish Painting
- characterised in one of the earlier lectures, is the inventor of
- perspective first arises. We see how it evolves quite naturally out
- as a Group. On the contrary, these wonderful groupings arise through
- international consciousness arises. This freedom from separations, this
- the idea which is here expressed. Not by man seeking in pride to rise
- Eyck, and there arises in this period one of the greatest of all works
- Title: History of Art: Lecture VIII: Raphael and the Northern Artists
- it rises free from the individually human; we seem to forget the human
- coming to expression in him. This, indeed, is to characterise such an
- characterised. For Raphael to create in this way — for his pictures
- to arise out of a mighty world-perspective — something of cosmic law
- in them strongly and characteristically. When we wish to characterise
- but can still be characterised fundamentally in the same way as the former
- Title: History of Art: Lecture IX:
- Nevertheless, in this very age there murst arise a new view of Nature, for
- of the body arises, in that he no longer separates, what even here is
- the rise of a new Art, which grew in time into the Art of the Renaissance.
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