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- Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
- in space, rather than speaking to us out of the flat surface.
- Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
- Title: History of Art: Lecture III: Dürer and Holbein
- the magical and mysterious qualities of light in space, you will
- Title: History of Art: Lecture IV: Mid-European and Southern Art
- of space. From the very outset men live together, live together as
- Title: History of Art: Lecture V: Rembrandt
- with that which works and weaves in space.
- to a spiritual height. For that which floods through the realms of space as
- in the realm of space. Then he is able to reveal the mysterious fashioning
- before him in space, as models or the like. The essential thing is
- Title: History of Art: Lecture VI: Dutch and Flemish Painting
- of drawing and painting, we find that the laws of Space, for example, have
- He did not try to represent Space as it is; he simply fixed on to the
- attempt is made to represent the ordering of things in Space, at any rate,
- the element of Space to express their thought. This, indeed,
- foreground, are represented as being smaller in proportion. In Space they
- in the inner relationship of Space; concerned, that is to say, with
- in Art what we may call the gathering together of things in Space, where
- the Group-element, which is, of course, extensive (spread out in space),
- constructed: the figures distributed in Space so as to belong together
- groupings in Space, but withal a high degree of inwardness, and a strong
- figures with that peculiar treatment of space which we find in their
- ceased to be living in the composition, the space itself must be
- transposed, transplanted into the picture. Space, as such, must now appear
- picture itself as a “space,” that is to say, by placing the
- again, by painting a naturalistic space such as forms itself around the
- mastery of the treatment of space. You will, for instance, scarcely
- Title: History of Art: Lecture VIII: Raphael and the Northern Artists
- way into the laws of space.
- reluctance. Nor had they yet the power to obey the laws of space out of
- of the laws of space.
- learned certain rules about the distribution of figures in space. Yet
- contrives to get the effect of space by the strong shadows, and altogether
- to feel the quality of space by catching the light, using the spatial
- Laws of Space that came from the South. But you see the beginnings of
- the spatial working of the light itself. Space is born, as it were,
- He seems almost unable to follow any of the laws of space. But he tries
- to the laws of space. Indeed, whatever of perspective you do see in
- differentiation of the space through the effects of the light itself.
- Title: History of Art: Lecture IX:
- of a man, so firmly established in the world of space, this Florentine
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