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- Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
- in space, rather than speaking to us out of the flat surface.
- beautiful hymn throughout which he speaks of his brothers and his
- cannot yet deepen his composition so that a living soul speaks
- it plays in Raphael. In the former pictures we cannot speak of it
- in the speak of it in the same way as here. The composition was,
- Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
- Speaking of former epochs,
- speaking. And when in later times it emerged again — in pietist
- other day when speaking of St. Francis, — it was imbued with quite
- so to speak, of the Savonarola protest. Rome was seized with anxiety
- long,” and thus together, so to speak, they arrived at the
- of life, who speaks more as a man who looks around him on the Earth,
- on the tree great masters of the Renaissance, we shall speak of Holbein,
- speaking most of freedom have any understanding at all of what freedom
- Title: History of Art: Lecture III: Dürer and Holbein
- history of Art. Especially in Dürer's case — to speak of
- of form and color wedded to one another (though when I speak of
- contemplative Vision — the Southern impulse, properly speaking,
- element which speaks so eloquently out of the subsequent
- there lived, artistically speaking, a goodly piece of Faust.
- Title: History of Art: Lecture IV: Mid-European and Southern Art
- speaks differently and appeals to a different element of soul,
- the human soul — this speaking from an inwardness of soul in
- dear Friends, I still wish to speak a word of solemn remembrance to
- Title: History of Art: Lecture V: Rembrandt
- indicated when speaking of Michelangelo, there came the
- truly as an outsider. Fundamentally speaking, even Leonardo, Michelangelo
- Rembrandt quality once more. Infinite mysteries speak to us out of this
- Title: History of Art: Lecture VI: Dutch and Flemish Painting
- of the Southern nature — speaks of his devotion to nation or people
- something very different from the Mid-European who speaks of Patriotism.
- Title: History of Art: Lecture VII: Representations of the Nativity
- Plays of which we have been speaking in the last lectures. We shall
- Art, and I will therefore speak not so much of the evolution of artistic
- speak of it at great length today; we may return to it another time.
- when they speak of that relation of the Earth to the Cosmos which finds
- Title: History of Art: Lecture VIII: Raphael and the Northern Artists
- even to speak of any other streams in Art, specifically different from
- recent communications on the Guardian of the Threshold we had to speak of
- his hand to speak? With Raphael we must ask: What angle will the arm
- the souls of men. Here the world speaks to us directly — not
- whom we may speak of as a contemporary of Raphael, we have before us an
- But it must be said that the people whose home was in the German-speaking
- one can scarcely speak of a “foreground” here), — see
- speaking, remained Heathen till a very late period.
- Title: History of Art: Lecture IX:
- whole. Nor does it matter so much, whether we speak — as the historians
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