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- Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
- two pictures. Their inherent tenderness recalls to us the
- experience that St. Francis could and would describe his tender
- interesting to see once more, in the wonderfully tender pictures
- Christianity took flight into these tender pictures, so widely
- this difference. Look at the wonderful and tender flow of line.
- Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
- sweet and tender faces, the characteristic postures of the feet, the
- this tenderness in contemplating
- Title: History of Art: Lecture III: Dürer and Holbein
- combines great delicacy of form and line with tender intimacy of
- Mid-European art could achieve in gesture and tenderness of
- the 16th century or perhaps a little later. Much of the tenderness
- Title: History of Art: Lecture IV: Mid-European and Southern Art
- conception with the Mid-European depth and tenderness of feeling.
- interwoven — united with one another. A tenderness of soul in
- Title: History of Art: Lecture V: Rembrandt
- whom he loved so tenderly, and with whom he was so united that she was
- tenderness. We have now come to the year 1648.
- Title: History of Art: Lecture VI: Dutch and Flemish Painting
- conjured forth to the surface of the body in a tender and thoughtful way.
- the same great Altar-piece. The next is a very tender picture:
- in 1436. You will admire the tenderness of expression in the Madonna, no
- Title: History of Art: Lecture VII: Representations of the Nativity
- intimate and tender, the more naturalistic they become. For in this
- Fra Angelico is as tender
- Title: History of Art: Lecture VIII: Raphael and the Northern Artists
- woodcuts. They are extraordinarily tender and intimate. The first is
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