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  • Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
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    • the three tiers, rising systematically into higher worlds from
  • Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
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    • same time, in these three masters we must also see the starting point
    • post-Atlantean age, which is heralded in the realm of Art. All three
    • we find the three great masters of the Renaissance were striving forth
    • then, distinguishes and at once unites the three great masters of the
    • Renaissance; they represent three elements of the Renaissance feeling,
    • 86. The Three Virtues. (Vatican. Rome.)
    • And now consider these three
    • three great characters who have passed before our souls today. Think
    • to bring before our souls these three masters of the Renaissance. I
  • Title: History of Art: Lecture III: Dürer and Holbein
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    • 9. Christ and the Three Wise Virgins.
    • 10. The Tempter and the Three Foolish
    • by the Three Wise Men. (Cathedral at Cologne.)
    • Spirit. !le see three stages, as it were: the Spiritual Beings
    • composition with the other. Once more you have three stages, but
  • Title: History of Art: Lecture IV: Mid-European and Southern Art
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    • again — the Christmas and Easter Plays, and Plays of the Three
    • three paintings by Hans Baldung, also known as Hans Grun,
  • Title: History of Art: Lecture V: Rembrandt
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    • came to Weimar, and it went on for two or three years longer. Everyone
    • 515. Abraham and Three Angels. (Eremitage.
    • 566. The Three Crosses
  • Title: History of Art: Lecture VI: Dutch and Flemish Painting
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    • portion of the picture, beneath the other three. The “Adoration
    • 21. Rogier van der Weyden. Adoration by the Three Wise
    • 25. Dieric Bouts. Adoration by the Three Wise Men. (Alte
  • Title: History of Art: Lecture VII: Representations of the Nativity
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    • Shepherds and by the Three Wise Men, and finally the Flight into Egypt.
    • mainly with the story of the Three Wise Men of the East — the
    • Magi, on the other hand — the mission of the Three Wise Men from the
    • is connected with the Adoration by the Three Wise Men, we have, therefore
    • enough to put up here a drawing of the Three Wise Men. The picture is
    • 1. Three Wise Men.
    • of the Three Wise Men of the East cannot really be understood with the
    • the Three Wise Men. It happens, as it were, on the basis of what was
    • first undertaken by the Three Wise Men. This bears witness to the fact
    • of the Egyptians. Now we are told in the Gospel that the Three Wise Men
    • the Three Wise Men. Whatever goes by the name of Astrology today has
    • that underlie the appearance of the Three Wise Men. In the 18th century,
    • “Stars” appeared to the Three Wise Men. Such is the indication:
    • Shepherds, and then of the Three Wise Men or Kings.
    • representing the Adoration by the Three Wise Men. To begin with, an
    • Three Wise Men.
    • 30. Adoration by the Three Wise Men. (Cathedral
    • 32. Stephen Lochner. Adoration by the Three Wise
    • 46. Leonardo da Vinci. Adoration by the Three Wise
    • 50. Rembrandt. Adoration by the Three Wise Men.
  • Title: History of Art: Lecture VIII: Raphael and the Northern Artists
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    • the Threefold being of Man. This threefold nature of man emerges
    • emancipated from the Physical. We find this threefoldness in manifold
    • 47. Hans Baldung. The Three Fates.
    • cycle on the Dance of Death, three examples of which we shall now show.
    • felt the three figures of the apostles, left behind. Yet how little he
  • Title: History of Art: Lecture IX:
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    • century. It is the work of three sculptors of the School of Rhodes.
    • 44. Niccola Pisano. Adoration by the Three Wise



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