Searching The History of Art
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- Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
- a large scale and must be understood as such. The figures they
- faces. In the earlier pictures, each was to be understood out of
- Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
- understood as little of Art as an ox, having eaten grass throughout
- often came into disharmony with it and remained misunderstood, just
- because he understood it in its depths, in the forces that only found
- secret of the Trinity is to be understood. This mystery, we must conceive,
- two central figures are to be understood as follows: On the one hand
- Title: History of Art: Lecture III: Dürer and Holbein
- only be understood when we perceive this difference in coloring;
- Title: History of Art: Lecture IV: Mid-European and Southern Art
- itself should be artistically understood.
- soul. The more these things are understood, the more this will be
- Title: History of Art: Lecture V: Rembrandt
- of such writers as Goethe or Lessing? They understood practically nothing
- Title: History of Art: Lecture VII: Representations of the Nativity
- — could best be understood (understood, that is to say, by the
- and less understood in the further course of centuries. True, it also
- of the Three Wise Men of the East cannot really be understood with the
- Title: History of Art: Lecture VIII: Raphael and the Northern Artists
- be understood why a certain break was inevitable in the evolution of
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