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  • Title: History of Art: Lecture I: Cimabue, Giotto, and Other Italian Masters
    Matching lines:
    • the paintings ascribed to Giotto in the upper church at Assisi
    • "https://www.rsarchive.org/Lectures/GA292/English/UNK1981/images/HA01-026_Last_Supper.jpg"
    • 26. Giotto: The Last Supper. (Capella Madonna dell' Arena,
    • "https://www.rsarchive.org/Lectures/GA292/English/UNK1981/images/HA01-047_Ghirlandajo_Last_Supper.jpg"
    • 47. Ghirlandajo: Last Supper. (Fresco.) (Ognissanti.
    • Supper is no longer merely represented (as in the picture that we
    • the Last Supper is now taken as an opportunity to represent the
    • "https://www.rsarchive.org/Lectures/GA292/English/UNK1981/images/HA01-054_Fra_Angelico_Last_Supper.jpg"
    • 54. Fra Angelico: The Last Supper. (San Marco,
    • the picture of the Last Supper which we showed just now. There,
    • the Last Supper.
    • Supper, which, also, is scarcely visible today, for only isolated
    • working-out of human characters. Especially in his Last Supper,
    • "https://www.rsarchive.org/Lectures/GA292/English/UNK1981/images/HA01-064_DaVinci_Last_Supper.jpg"
    • 64. Leonardo da Vinci: Last Supper.
  • Title: History of Art: Lecture II: Leonardo, Michelangelo and Raphael
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    • past him. He only skimmed off them, as it were, the uppermost and human
    • — the conception of the Trinity, of the Last Supper, of the
    • chief creation, the “Last Supper,” Finally, we shall return
    • 16. Last Supper. (Sta. Maria della Grazie. Milan.)
    • Supper — which he created, it is true, at an earlier time, and
    • in this picture as against the earlier pictures of the Last Supper by
    • 17. Head of Christ. (Study for the Last Supper.) (Brera. Milan)
    • 18. Group of Disciples for the Last Supper.
    • 20. Last Supper. (Engraving.)
    • 21. Rudolf Stang, The Last Supper. Engraving after Leonardo, completed in 1887.
    • Last Supper, aims at a peculiar quality of composition combined with
    • and at St, Petersburg and London, which we showed before the Last Supper.
    • reminiscent of the peculiar composition in the Last Supper, but aims
  • Title: History of Art: Lecture III: Dürer and Holbein
    Matching lines:
    • Supper” of Leonardo da Vinci in Milan. Compare it with the
    • earlier pictures of the Last Supper which were derived more purely
  • Title: History of Art: Lecture IV: Mid-European and Southern Art
    Matching lines:
    • monuments. We will show the detail of the upper part:
    • 31. Upper portion of tomb, with two Angels.
  • Title: History of Art: Lecture VI: Dutch and Flemish Painting
    Matching lines:
    • of Upper German paintings, which have their own characteristic peculiarities.
  • Title: History of Art: Lecture VIII: Raphael and the Northern Artists
    Matching lines:
    • 39. Dürer. The Last Supper. (Woodcut)
  • Title: History of Art: Lecture IX:
    Matching lines:
    • famous pulpit in the Baptistery at Pisa; note the reliefs in the upper



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