Searching Rudolf Steiner Lectures by Translator (Unknown) Matches
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Query was: chela
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- Title: Lecture: The Four Sacrifices of Christ
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- Michelangelo painted it. In the Sibyls he showed what had threatened
- nor direct it. Look at the way in which Michelangelo has painted the
- Title: Lecture: Christ in Relation to Lucifer and Ahriman
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- impossible to overestimate the significance of Michelangelo's
- Michelangelo's painting, we see a Christ who uses His very power to
- must admit, however, that Michelangelo was not yet capable of painting
- Title: Lecture: The Migrations of the Races
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- This was Jesus of Nazareth, the Galilean. He was a Chela of the third degree
- Boniface, Brahmanism, Celtic, Chaldean, Chela, Christ, Church Fathers,
- Chela,
- Title: Lecture: The Etheric Body as a Reflexion of the Universe
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- produced, of Michelangelo's Last Judgment, in the Sistine Chapel in
- portrayed on Michelangelo's picture is not the Christ whose
- Michelangelo was not as yet able to portray the real Christ. Christ
- Michelangelo's painting still has Luciferic and Ahrimanic
- Michelangelo's Last Judgment.
- significance of the triad, Christ, Lucifer and Ahriman. Michelangelo
- Title: Lecture: Michelangelo
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- Michelangelo
- place which Michelangelo holds in the spiritual life of the West.
- artist like Michelangelo in the Sixteenth Century and study him in
- Obviously in such a study we should look at Michelangelo's
- Grimm set about writing his wonderful book on Michelangelo in the
- and thus reveals clearly the secrets of Michelangelo which even
- these Greek sculptures to the “Moses” of Michelangelo. We
- artist than Michelangelo were to do a sculpture of Moses and give it
- Michelangelo sets before us his Moses as representative of his age so
- him with Goliath's head beneath his feet. Michelangelo chooses
- Michelangelo is the most significant artist. While the Greeks had
- effect on our souls as from another world, Michelangelo sets his
- Michelangelo's breathe the same air as ourselves. This is not
- rather we should recognize that Michelangelo is the most important
- Michelangelo, we shall not be surprised to discover that in his
- specific task that was to be Michelangelo's. At first it was
- could learn nothing from him. Michelangelo's drawing sprang
- attention attracted to Michelangelo's drawings Lorenzo de
- together in Michelangelo and were to produce something more than any
- active within them, Michelangelo had to acquire through external
- Maximum number of matches per file exceeded.
- Title: Lecture: Galileo, Giordano Bruno, and Goethe
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- distribution of space, created by the genius of Michelangelo,
- discovered the laws of Mechanics, was born when Michelangelo,
- means that it was from the Spiritual forces of Michelangelo
- Title: Architectural Forms
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- Raphaelite art, in the art of Leonardo, of Michelangelo, in the
- Title: The Mystery of Golgotha
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- Life-Spirit and Spirit-Man. Jesus of Nazareth was a Chela of
- When a Chela has absolved the purification of his three bodies,
- Chela, Jesus of Nazareth, at this moment divests himself of his
- Title: Excursus/Mark: III: Excursus: Lecture IV
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- works of Michelangelo, of Leonardo da Vinci, or Raphael, and having
- Title: Excursus/Mark: IV: The Path of Theosophy from Former Ages until Now
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- Michelangelo, without which there would have been no deep religious
- Title: Knowledge of Soul and Spirit: Lecture III: The Knowledge of Soul and Spirit
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- Michelangelo, and an impulse of the everlasting penetrates us
- Title: Sound Outlook: Lecture IV: History and Repeated Earth-Lives
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- Michelangelo” by Herman Grimm, which deals in fact
- Title: Cosmosophy 1: Lecture XI
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- for a longer time in human consciousness. In Michelangelo's
- Title: Esoteric Development: Lecture VII: The Great Initiates
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- that should be acquired by anyone aspiring to the stage of Chela, or
- and has become a Chela? We have seen how all that we have just
- Chela, a real student of the great Initiates. Then he can be led
- The Chela who has reached this stage is just as good a citizen and
- the stage of Chela. He need not be torn away from anything. What he
- arrived at the second state of Chela-ship. Then all doubts and
- keys of knowledge to the Chela. When he has reached this stage,
- now, as the average man alone names his “I,” so the Chela
- to himself. When the Chela has arrived at this stage, he is called a
- Swan. The Chela who has been able to raise himself to the point of
- Chelas to begin with. To begin with they acquired the keys of
- stage of Chela-ship. Then one can learn that special script which is
- world. The Chela, the Swan, has been the mediator of this
- Title: Mystery of Death: Lecture XI: Christ's Relationship to Lucifer and Ahriman
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- Michelangelo painted in the Sistine Chapel in Rome,
- Michelangelo, we still see Christ sending the good human beings
- but one has to admit that Michelangelo could not yet paint
- Title: Mystery of Death: Lecture XII: Spiritual Science as an Attitude
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- by Michelangelo in the
- That also holds good for Ahriman. Michelangelo did not yet know
- in the picture of Michelangelo has something
- was possible up to now: the Christ figure of Michelangelo in his
- triad of Christ, Lucifer, and Ahriman. Michelangelo could not
- Title: Lecture: The Old Sagas of the Gods
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- the chela individuality of the chela Sieg. Everything which
- was of the Sieg nature in the chela was synthesised by the
- Title: Lecture: The Animal Soul
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- insecure. With the Chela, will, idea, and feeling are torn asunder,
- individual parts in the brain of the Chela are differentiated like
- longer reflect. The Chela is really the first able to perceive his
- Title: Esoteric Lessons Part III: Norrkoeping, 7-14-'14
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- gripping and powerful than the one Michelangelo could portray in his
- Title: Leonardo's Spiritual Stature: Lecture
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- Michelangelo or Leonardo, making detailed studies from an
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